6.7/10
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The Unforgiven (1960)

Approved | | Drama, Romance, Western | 6 April 1960 (USA)
The neighbors of a frontier family turn on them when it is suspected that their adopted daughter was stolen from the local Kiowa tribe.

Director:

John Huston

Writers:

Ben Maddow (screenplay), Alan Le May (based on a novel by) (as Alan LeMay)
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Cast

Complete credited cast:
Burt Lancaster ... Ben Zachary
Audrey Hepburn ... Rachel Zachary
Audie Murphy ... Cash Zachary
John Saxon ... Johnny Portugal
Charles Bickford ... Zeb Rawlins
Lillian Gish ... Mattilda Zachary
Albert Salmi ... Charlie Rawlins
Joseph Wiseman ... Abe Kelsey
June Walker ... Hagar Rawlins
Kipp Hamilton ... Georgia Rawlins
Arnold Merritt ... Jude Rawlins
Doug McClure ... Andy Zachary
Carlos Rivas ... Lost Bird
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Storyline

Western about racial intolerance focuses around Kiowa claim that the Zachary daughter is one of their own, stolen in a raid. The dispute results in other whites turning their backs on the Zacharys when the truth is revealed by Mother. Cash, the hotheaded brother, reacts violently upon learning his "sister" is a "red-hide Indian." He leaves the family but returns to help them fight off an Indian raid. Written by <rita.richardson@arch2.nara.gov>

Plot Summary | Add Synopsis

Taglines:

The Heroic Story That Stands Tall and Proud Among the Screen Giants! See more »

Genres:

Drama | Romance | Western

Certificate:

Approved | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

6 April 1960 (USA) See more »

Also Known As:

The Siege at Dancing Bird See more »

Filming Locations:

Durango, Mexico

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Box Office

Budget:

$5,000,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (Turner library print)

Sound Mix:

Mono (Westrex Recording System)

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

John Huston saw the film as an opportunity to make a serious comment on race relations, but the company thought anything along those lines should take a back seat to making it a commercial success as action/adventure. Burt Lancaster's biographer Gary Fishgall quotes two of Huston's biographers who assert that Huston did not quit because he needed his $300,000 salary to restore his Irish manor house and saw the location shoot as an opportunity to indulge his passion for pre-Columbian art. See more »

Goofs

When the piano is delivered, Mrs. Zachary sits down to play it, and it is in perfect tune. Not possible! Moving a piano always knocks it out of tune, and moving a piano in a wagon across that terrain would have made it terribly out of tune. See more »

Quotes

[first lines]
[yelling at a cow eating grass growing on the Zachary family's roof]
Rachel Zachary: Shoo now! Shoo! Ain't you got no better manners than to eat at the top of a house?
See more »

Connections

Referenced in They Call Me Trinity (1970) See more »

Soundtracks

The Battle Hymn of the Republic
(uncredited)
Lyrics by Julia Ward Howe
Music by William Steffe
Sung by Abe Kelsey
Also used as a theme when Portugal pursues Abe
See more »

Frequently Asked Questions

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User Reviews

 
John Huston takes on racism
2 December 2006 | by jones381See all my reviews

This classic film from one of the greatest directors of the 20th century boasts an incredible cast: Audrey Hepburn, Lillian Gish (silent films), Burt Lancaster, Audie Murphy (war hero), a young Doug McClure, all of whom show classic acting at its finest. Go beneath the dialogue and watch the body movements, facial expressions and withheld, unspoken emotion of these superb actors (esp Gish and Lancaster). Check out the incredible performance of the wraith-like, howling itinerant evangelist (Joseph Wiseman) who seems to know the "secret". The score by Dmitri Tiomkin is terrific, with a minimum of Hollywood-style Native American drumming (and flute playing. Indeed, the music played by the Kiowas during the "break" was fascinating. Although the story is set in 1800s Texas panhandle, the theme is universal and hard-hitting: racism, and a family divided by their differing views. I found the portrayal of the Kiowa culture to be accurate, esp the use of costumes and rituals. Remember, this film was made in 1960, a time when racial intolerance was rarely put on film, and the fair presentation of Native Americans was almost non-existent. Indeed, this is why Huston wanted this project. Remarkably, this film is NOT pro-Indian or pro-settler, rather it's an honest depiction of a clash of cultures. My only disappointment, a minor one, was that the film ended rather abruptly for my taste, almost as if they ran out of film. But then again, I'm not a director! I found interesting background on the making of this film at dvdverdict.com


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