Le Trou (1960)

In prison four long-sentence inmates planning an elaborate escape cautiously induct a new inmate to join in their scheme which leads to distrust and uncertainty.

Director:

Jacques Becker

Writers:

José Giovanni (novel), Jacques Becker (adaptation)

Stars:

André Bervil, Jean Keraudy, Michel Constantin

Nominated for 2 BAFTA Film Awards. Another 2 wins & 2 nominations.

Cast

Cast overview:
Michel Constantin	...	Geo Cassine
Jean Keraudy	...	Roland Darban
Philippe Leroy	...	Manu Borelli
Raymond Meunier	...	Vossellin / Monseigneur
Marc Michel	...	Claude Gaspard (as Mark Michel)
Jean-Paul Coquelin	...	Le lieutenant Grinval (as J. Paul Coquelin)
André Bervil	...	Le directeur de la prison
Eddy Rasimi	...	Bouboule

Storyline

Just as four cell-mates are about to launch their elaborate escape from a tiny cell, a detainee from a cell-block under repair is transferred in. The four all face certain conviction and long sentences. Does the young new jail-mate have the same incentive and if so, can they trust him?

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Plot Keywords:

digging | jail cell | prison guard | convict | escape from prison | 

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Genres:

Crime | Drama | Thriller

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Certificate:

Not Rated

Did You Know?

Trivia

This film has a 100% rating based on 16 critic reviews on Rotten Tomatoes.

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Goofs

In the sewer when Roland Darban is sketching the prison plan, the dirt on the ground is totally flattened while it was a passageway and there should have been some footprints.

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Quotes

[first lines]
self: [wiping grease off hands] Hello. My friend Jacques Becker recreated a true story in all its detail. My story. It took place in 1947 at the Sante prison.

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Connections

Referenced in 500 Days of Summer (2009)

User Reviews

The final hole was a manhole.

Immediate background:Jacques Becker was dying when he filmed "le trou,and he made it his legacy;it's the tragedy of man caught on the web of life -an admirable metaphor shows two wardens feeding a spider in the undergrounds with a fly-,and anyway unable to escape from the final death.

The first thing to bear is mind is that,calling "le trou" a "prison movie" would be an insult.Although adapted from a Jose Giovanni's book -Giovanni had been himself in jail for some time and his depictions are as close to reality as can be-,Becker masterfully transcends his subject and gives something definitely new.Some said it was the final link between "la nouvelle vague" and what the highbrows pejoratively -and thoroughly unfairly- call "cinema de qualité" but Becker had predated that overrated new wave by almost ten years :"rendez-vous de juillet" had already almost everything the young Turks would bring later.

First shock is the use of the wide screen,the cinemascope,which Becker had never experimented before;and he achieved the impossible: using this device for a story which takes place ,either in the four walls of a jail,or in the undergrounds and the sewers .The only picture of the outside is seen when the two inmates open a manhole.And the second one is the sound:there's no music at all,except for the final cast and credits -saving the cast and credits for the end was very rare in the contemporary French cinema -But the soundtrack resembles some kind of musique concrete with its relentless thumps, the whispers and the screams inside the cell,the creaking of the doors ,the waters in the sewer;and the final cacophony -which is not unlike the one which Manliewicz used in "suddenly last Summer" the year before- packs a real wallop.

Another Becker's tour de force is his description of the prison life:he avoids all the clichés that mar so many "prison movies" (the overpraised "Whatsisname redemption" is no exception):here, the wardens are,most of the time ,kind and friendly,the relationships with the inmates remain polite ,maybe sometimes too much:particularly those between the young man (Marc Michel) and the head warden are almost paternalistic.

Another Becker's permanent feature comes back to the fore in "le trou" :friendship,solidarity ,which was already present in "rendez-vous de juillet" and "touchez pas au grisbi".Here it's pure manly friendship and it seems that a certain misogyny is infiltrating Becker's world:during the 2 hours + running time of the movie,we only see one young girl (Catherine Spaak) behind a grille,for a very short while.The only positive woman whom we' ll never see is (naturally) one of the five inmates ' s(Michel Constantin) mother("I almost killed her when I was sent to jail so I do not want to take a chance and try to escape")

SPOILER:But even this world where five inmates share everything,where their friendship is "more than I 've ever had "(Marc Michel's character) is collapsing;the first cracks were already here in "rendez-vous de juillet" when some of the young students were giving up on their plans ,to the main hero's (Daniel Gelin)disappointment.But "touchez pas au grisbi" took friendship over everything including money."Le trou" reveals the true nature of man,even if the informer seems completely desperate at the end of the movie.The mammoth task they did ,the hole '(le trou) is nothing but a cul-de -sac and it epitomizes,in a Hustonian way -we're closer to Huston than to Godard ,fortunately,the vanity of everything man can do to escape from his fate,and in the case of Becker ,to escape from death.END OF SPOILER

Had Becker ended his career with his three precedent movies (Ali-Baba,Arsène Lupin ,Montparnasse 19),his former masterpieces (Casque d'or,Goupi Main Rouges ,rendez-vous de juillet),could have been tarnished by association.But "Le trou" ,his final masterpiece stands in little danger of bringing this about.

Details

Country:

France Italy

Language:

French

Release Date:

14 February 1997 (USA)

Also Known As:

Le Trou

Box Office

Opening Weekend USA:

$6,756, 2 July 2017

Gross USA:

$34,588

Cumulative Worldwide Gross:

$34,588

Company Credits

Production Co:

Filmsonor, Play Art

Technical Specs

Runtime:

131 min 121 min (1984 restored)

Sound Mix:

Mono (Western Electric Sound System)

Color:

Black and White

Aspect Ratio:

1.66 : 1