Jack Kerouac was a Beat Generation writer who took the nation by storm upon the publication of his novel On the Road. Kerouac's legacy and influence are explained via interviews with ... See full summary »
Private eye P.J. is reluctant when he gets a new job: he shall protect Maureen Preble, mistress of millionaire Orbeson, mainly from attacks by his wife and her greedy family. In truth ... See full summary »
Jocko De Paris, cadet leader in a Southern military academy, so manipulates events that George Avery, Jr., son of the school's executive officer, is found drunk and expelled. Through ... See full summary »
Peter Mark Richman
Milo is a railroad brakeman, his wife a painter. They have some poet friends who spend a good bit of time hanging out at their apartment. When Milo and his wife are visited by their bishop,... See full summary »
Leo is a 28 year old writer who doesn't have any friends because he finds normal people too shallow and so he hasn't found love. After an arguing with his mother he leaves into the night where he accidentally meets a group of poets, artists and philosophers who drag him to a subterranean bar where Yuri, a vagabond poet, introduces him to Mardou a beautiful blonde girl. Leo goes with the young beatnik group to every subterranean bar in San Francisco. Immediately Leo and Mardou fall in love with each other and he promises her a life together forever but their love starts to strangle Leo's ability to write. One night, out of rage, Leo snaps and has an affair with Roxanne. Mardou disappears for four days because she thinks Leo is very childish, which takes Leo to heavy drinking until she re-appears with the news that she's pregnant and they declare their love with each other by leaving the new bohemian group to be alone and start a normal life together.Written by
If this film is hard to get a hold of, it's probably because anyone involved in it has tried to buy up and destroy the prints. Never mind the faithlessness to Kerouac -- this is about as close to the spirit and vision of Kerouac as Howdy Doody is to Shakespeare -- the script provides ample opportunities for the humiliation of actors, opportunities which, unfortunately are exploited to the full. George Peppard is miscast as a soul-searching intellectual writer, but seems to have the soul of a soft, fluffy robot. Roddy MacDowell doesn't speak his lines, but declaims them. The otherwise charming Leslie Caron has the depth of a neurotic paper doll. It's a kind of exploitation film: instant beatnik, just add intelligence. My compliments to anyone who can watch this for five minutes without cringing.
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