A military school cadet Boone wins a date with a French movie goddess (Carère) who happens to be the queen of the "Mardi Gras" parade. They fall in love, but Carère's movie studio wants to capitalize on this newly found love for publicity.
Inspired by the tale from Hebrew scriptures and the Christian Bible, the Moabitess child Ruth is sold to the temple of Chemosh. Years pass and she serves as a priestess to the idol. While arranging a temple ritual, she encounters a Judean family of artisans: Elimelech, his wife Naomi, their sons Chilion and Mahlon, and daughter-in-law Orpah. Ruth is curious about their God, and begins to meet secretly with Mahlon. After tragedy strikes, Ruth follows Naomi and begins a new life in Bethlehem...Written by
The role of Ruth was intended for Susan Strasberg - who was tested for the part - but the studio decided to go for an unknown. See more »
When Ruth and her father at the beginning of the movie are going to give Ruth to the service of Chamosh the right sleeve of her garment is torn but when they are in the house it is her left sleeve that is torn. See more »
Yonder is a city whose name will one day be known in the far places of the Earth... Bethlehem of Judah. Generations have yet to pass before its star shall rise in the east. Much shall happen in these lands and be told. For nearby, across the Jordan in the land of Moab, lives a people who of old have hated the God of Israel and who serve a god of stone, Chemosh, thirsty for the blood of the young and the innocent.
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This movie is a pleasant Old Testaments gem! I'm surprised it gets panned by many who demand accuracy. Perhaps people missed the point. Aside from the usual few Hollywood add- ons (e.g, Ruth was a Priestess, the death of Mahlon, the two Moabite spies, and the exact issue of Levirate law with Tob being first kin and the idea of love, not obligation for marriage) it is reasonably accurate. After all, which Hollywood movie is completely accurate? Ten Commandments? More importantly, it captures the spirit of Ruth. In essence, of the spirit of Ruth as a stranger following devotedly her mother-in-law and Jehovah, a new God for her, it is accurate. It depicts Ruth's altruism (she does not accept gifts and nothing but faith to her mother-in-law and God matters), Boaz's character of integrity (he has ethics, even higher than Ruth when he has to judge), the blind conversion of faith (to Judaism), and the lawful acceptance of non-Israelites very well. I think people missed these themes but rather are looking for a word-by-word account. The problem with a word-by-word account is that the Bible is missing too much. And then to expect a 1960 Bible movie to show Ruth going to bed with Boaz potential ruins her altruistic character. OK, maybe Delilah can go to bed with Samson, but to see Ruth, a most faithful, altruistic character do such a thing isn't consistent with the character development.
Thus, in spirit, this captures the Biblical story perhaps better than any other fictitious (e.g, The Robe) or supposedly accurate (The Ten Commandments) Hollywood movies. Unfortunately, those points are missed. Given the Book of Ruth is quite short, to make a two-hour movie, writer Norman Corwin and director Henry Koster took the liberty to make a smooth storyline. Since it lacks the exciting, epic battles and dramatic miracles of other Biblical movies, it won't appeal to many people. Rather, this film is more about human devotion, kindness and traditions. Acting was very strong by female leads Peggy Wood and the beautiful Elena Eden (who hardly made a movie afterward) but Stuart Whitman and Tom Tryon were average. Peggy was excellent and charming and Elena was very poised as what one might expect of her since she would be the mother of a great line. Jeff Morrow was enjoyable in his role, too. Sets, script and color cinematography were very good.
However, most people want fun and adventure. This film doesn't have those elements but rather it's about human search for spiritualism, goodness and faith.
7 of 7 people found this review helpful.
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