A military school cadet Boone wins a date with a French movie goddess (Carère) who happens to be the queen of the "Mardi Gras" parade. They fall in love, but Carère's movie studio wants to capitalize on this newly found love for publicity.
Inspired by the tale from Hebrew scriptures and the Christian Bible, the Moabitess child Ruth is sold to the temple of Chemosh. Years pass and she serves as a priestess to the idol. While arranging a temple ritual, she encounters a Judean family of artisans: Elimelech, his wife Naomi, their sons Chilion and Mahlon, and daughter-in-law Orpah. Ruth is curious about their God, and begins to meet secretly with Mahlon. After tragedy strikes, Ruth follows Naomi and begins a new life in Bethlehem...Written by
According to a July 1960 American Cinematographer article, Vittorio Nino Novarese designed the costumes of the Moabite priestesses and officials in "snake" colors: black, bright hard green, white, and gold. See more »
When Ruth and her father at the beginning of the movie are going to give Ruth to the service of Chamosh the right sleeve of her garment is torn but when they are in the house it is her left sleeve that is torn. See more »
Yonder is a city whose name will one day be known in the far places of the Earth... Bethlehem of Judah. Generations have yet to pass before its star shall rise in the east. Much shall happen in these lands and be told. For nearby, across the Jordan in the land of Moab, lives a people who of old have hated the God of Israel and who serve a god of stone, Chemosh, thirsty for the blood of the young and the innocent.
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Under-rated version of the Old Testament tale of the beautiful Ruth and her wise mother-in-law, Naomi
"The Story of Ruth" was a modest production of a biblical story in the days when most tales from the Bible were large scale epics. The screenplay does expand the early portion of Ruth's story. Ruth (lovely Elana Eden) is a priestess in the temple of the religious idol worshipped in her native country of Moab. She meets the Hebrew Mahlon (Tom Tryon) whose invisible diety she cannot understand. Mahlon marries Ruth as he dies and she follows her mother-in-law, Naomi (Peggy Wood), back to her native land of Judah. Here the relationship between Ruth and Naomi is beautifully developed as the two women try to eke out a meager existence. All the while they have to deal with the strict rules of the Hebrews and particularly the council of elders who find out about Ruth's former belief in the pagan religion. It is Ruth's new faith in the one G-d of Naomi which finally brings her love and hope for a future in her adopted homeland. Stuart Whitman portrays her new romantic interest, Boaz. Jeff Morrow (Tob) is his rival for Ruth's hand and adds a welcome bit of humor to the proceedings. Viveca Lindfors portrays the High Priestess back in Moab in her inimitable style. The second half of the films adheres fairly close to the biblical text, and its pastoral scenes and quiet drama contrast to the more action oriented first half. However, director Henry Koster has kept his story moving along aided by a fine musical score by Franz Waxman. The story transcends some wooden acting and occasionally static dramatic scenes. The viewer will be swept along by the unusual tale of women triumphing over adversity in a male-dominated society.
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