In Alexandria, in 1938, Darley, a young British schoolmaster and poet, makes friends through Pursewarden, the British consular officer, with Justine, the beautiful and mysterious wife of a ... See full summary »
Simon Sparrow is a newly arrived medical student at St Swithin's hospital in London. Falling in with three longer-serving hopefuls he is soon immersed in the wooing, imbibing and fast ... See full summary »
Based on the best-selling novel by Irving Wallace that was inspired by the Kinsey Report on the sexual mores of suburban women, the film follows the personal (read sexual) lives of four ... See full summary »
Efrem Zimbalist Jr.,
Marriage broker Mae Swasey, who somewhat cynically arranges her loser clients' affairs, meets model Kitty Bennett and can't resist meddling in her life, by disentangling her from a married ... See full summary »
A housewife is doing her best to keep her family together as it's slowly falling apart, a fact she's trying to ignore. Her cheating husband's birthday party is approaching and many lines will be crossed after that event.
When George Cukor arrived in Vienna to take over as director, he replaced cinematographer James Wong Howe with Charles Lang. (Howe later wrote that he agreed with this choice, as it wasn't really his type of picture.) Also, Cukor brought in screenwriter Walter Bernstein to do rewrites on the script. Bernstein found the original script so ridiculous that he told Cukor, "My best advice to you is to get rid of Dirk Bogarde and get Sid Caesar. Then just film it." Bernstein and Cukor worked on the script as the movie was being filmed, often completing scenes on the night before they were shot. See more »
I met Franz at a musical party. I remember he played a ballade in A-flat major by Chopin. I thought I'd never seen anything as beautiful as Franz looked when he sat at the piano. I... I wanted to cry. He watched me as he played; Franz never fails to notice a pretty woman in his audience. Afterward, he followed me into the hall. I remember he said, "May I escort you somewhere, madame?" And I said, "Yes." And he said, "Where?" And I said, "Paradise." He didn't smile - he said, "I'll call a ...
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I guess I am the odd-ball, but I found this pretty dull.
I saw this movie for one reason--it starred Dirk Bogarde. He was a wonderful actor and I'd watch him in anything--even a bio-pic! My dislike of most bio-pics is important to note, as unlike the other reviewers, I really didn't adore Franz Liszt and the idea of a film about him. That's because in my opinion (and I am sure many will disagree), most biographical movies are either short on entertainment value (they can be sluggish) or they avoid this by playing fast and loose with the facts. Frankly, I don't like either extreme. But when it comes to Liszt, I have no idea if this film is accurate--he is someone about whom I know very little (other than the fact that Bogarde looked nothing like him and the film makers did little to correct this). But I do know that the film is lethargic...very, very lethargic. So, despite his affairs and illegitimate children, the film managed to make all this very, very dull--and that is a crime. How can a film that often focuses on the composer's scandalous relationships be so turgid?! Perhaps because all too often nothing happens in the film--just lots and lots and lots of scenes with Bogarde playing either the piano or the organ. And, as many of the songs were not Liszt's compositions, I just felt a bit bored. So, aside from nice music (though a bit too much of it) and nice costumes, I found the whole thing pretty stale. If you are a musician and/or adore Liszt, perhaps you'll have a very different opinion--I just know that Dirk Bogarde made other films with a lot more energy and entertainment value.
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