A metaphysical mystery involving a university student's camera getting stolen, and the thief then committing suicide. Looking back upon the event, the situation comes to be questioned if it happened at all.
Kiyoshi is a brooding young man who treats women solely as objects. Makoto is a young woman who is just reaching her sexual awakening. She and her friends accept car rides from middle aged men, although they state it is nothing more than fun with no intention of leading those men on. Kiyoshi and Makoto meet when he saves her from one of those middle aged men who tries to take advantage of her. Despite treating each other abusively, they start a relationship with each other which leads to what they call love, but feels more like an emotional dependence on each other to rebel against traditional society. Each with no money, they start to extort money from these middle aged men who she leads on. This act is only one demonstration of the only power they feel they have, namely sex, which they use against others as well as against each other in their doomed relationship.Written by
This is a curious film, definitely of its time, but not from France. The two lovers Kyoschi and Makoto have a devil may care attitude about things. At times, you want to shake the female lead (Makoto) and tell her to be more responsible. Kyoschi is sometimes just this side of brutal to her, both physically and psychologically. The film reminds me a bit of "Rebel Without A Cause" and even "Breathless", which is more than likely intentional. For a Japanese film, it is fairly gritty. My only complaint is that most of the characters besides the two star crossed/unfortunately matched lovers are underwritten. I wonder if anyone thought at that time to show this film to youths in Japan, to let them know that falling in love is not always the true path to happiness. An interesting, fully watchable film.
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