Spoiled heiress Louise Durant (Dame Elizabeth Taylor) decides to leave the comfort of her father's estate in southern France to study piano at the Music Conservatory in Zurich, despite ... See full summary »
After World War II, a Highland Regiment's acting Commanding Officer, who rose from the ranks, is replaced by a peace-time Oxford-educated Commanding Officer, leading to a dramatic conflict between the two.
The dancing teacher Anastacia "Stacie" Macaboy (Dame Elizabeth Taylor) falls in love with the smart theatre agent Jud Parker (Larry Parks). He likes her, too, but does not want to give up ... See full summary »
The smell was not blown in through the air conditioning vents (as it was done in Beyond the Great Wall (1964)) - every seat had a little tube under it, and by the time this movie played in Los Angeles, they'd perfected clearing the air between smells. See more »
I haven't been away from my flat in 9 years, and 6 mysteries. But, I suppose the creator of a private eye has to get out in public every so often. And I hate to travel - unless it's in the Commonwealth. Otherwise you meet so many foreigners, who don't even speak English. And all those beastly tourists - mostly Americans. They don't speak English either.
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There is a credit for the shoe polish brightening the cast's shoes. See more »
In the UK version of Holiday in Spain, Elizabeth Taylor is credited as Liz Rolyat, (Taylor spelled backwards). See more »
Mostly when people discuss this film they get sidetracked by the Smell-O-Vision aspect. It was made at a time when there was a lot of experimentation with the technology of film making. In the decade previously they had tried 3-D and Cinerama, so adding aromas to film didn't seem that far out of bounds. The technology really wasn't ready as yet and the film, "Scent of Mystery", wasn't good enough to stand on its own. The story was silly and the dialog was stupid. The original film no longer exists as such. Another film called "Holiday in Spain" was cobbled together from pieces of various prints. Some say, therefore, you can't judge the original by the copy. However, the copy does have a strongly coherent narrative flow. It's the original that was stupid. The actors were competent professionals and there is the occasional clever line, but there is a certain amount of embarrassment in watching talent going to waste. There is an inside showbiz secret society feel to it. It's Elizabeth Taylor and her then husband Eddie Fisher working with Mike Todd, Jr. trying to salvage the botched job his father had done. By the way, what I said earlier about the addition of aromas to dramatic entertainment, watch what happens when V. R. adds story lines and acting. They are already adding tactility to V. R. Can odor be far behind?
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