7.7/10
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11 user 13 critic

Girl with a Suitcase (1961)

La ragazza con la valigia (original title)
Lorenzo, who's 16 and born to a wealthy family in Parma, tries to make things right toward a showgirl, Aida, whom his older brother has mistreated. In extending kindness and standing up for... See full summary »

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Writers:

(story) (as Leo Benvenuti), (story) | 8 more credits »
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1 win & 1 nomination. See more awards »

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Cast

Complete credited cast:
...
...
Luciana Angiolillo ...
Aunt of Lorenzo
...
Riccardo Garrone ...
Elsa Albani ...
Lucia
...
...
Piero Benotti
...
Don Pietro Introna
Enzo Garinei ...
Pino
Ciccio Barbi ...
Crosia
Nadia Bianchi ...
Nuccia
Angela Portaluri
Edda Soligo ...
Teacher
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Storyline

Lorenzo, who's 16 and born to a wealthy family in Parma, tries to make things right toward a showgirl, Aida, whom his older brother has mistreated. In extending kindness and standing up for her, he comes of age. But, is there anything he can do that will alter Aida's situation or her prospects? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

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Details

Country:

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Language:

Release Date:

11 September 1961 (USA)  »

Also Known As:

Girl with a Suitcase  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Italian censorship visa # 33890 delivered on 18-1-1961. See more »

Goofs

In the opening scene when Aida takes an emergency bathroom break in the ditch, there is a noticeable paper cup like white object in the middle of the road. It comes and goes and moves around. See more »

Connections

Featured in Hep Taxi!: Claudia Cardinale See more »

Soundtracks

Deguello
Composed by Dimitri Tiomkin
Courtesy of Ricordi
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User Reviews

I'll comment on one single scene...
23 June 2001 | by See all my reviews

... the one where Lorenzo watches Aida dancing with that older man. She was supposed to go to the movies with him but she chose to have dinner with a group of other guests at the hotel, and after dinner they start partying and dancing. At one point there is a close-up of Lorenzo that lasts for at least one minute. He looks at them dancing, looks away, takes a sip from his drink, fidgets, with all these different expressions on his face: jealousy, frustration, anger, discomfort, despair. No dialogue. Wonderfully acted and directed. That scene is worth more than all car chase sequences since the beginning of Cinema put together.


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