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Psycho (1960)

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A Phoenix secretary embezzles forty thousand dollars from her employer's client, goes on the run, and checks into a remote motel run by a young man under the domination of his mother.

Director:

Alfred Hitchcock

Writers:

Joseph Stefano (screenplay by), Robert Bloch (based on the novel by)
Popularity
429 ( 155)
Top Rated Movies #32 | Nominated for 4 Oscars. Another 5 wins & 9 nominations. See more awards »

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Cast

Complete credited cast:
Anthony Perkins ... Norman Bates
Vera Miles ... Lila Crane
John Gavin ... Sam Loomis
Janet Leigh ... Marion Crane
Martin Balsam ... Det. Milton Arbogast
John McIntire ... Sheriff Al Chambers
Simon Oakland ... Dr. Fred Richman
Frank Albertson ... Tom Cassidy
Patricia Hitchcock ... Caroline (as Pat Hitchcock)
Vaughn Taylor ... George Lowery
Lurene Tuttle ... Mrs. Chambers
John Anderson ... California Charlie
Mort Mills ... Highway Patrol Officer
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Storyline

Phoenix office worker Marion Crane is fed up with the way life has treated her. She has to meet her lover Sam in lunch breaks, and they cannot get married because Sam has to give most of his money away in alimony. One Friday, Marion is trusted to bank forty thousand dollars by her employer. Seeing the opportunity to take the money and start a new life, Marion leaves town and heads towards Sam's California store. Tired after the long drive and caught in a storm, she gets off the main highway and pulls into the Bates Motel. The motel is managed by a quiet young man called Norman who seems to be dominated by his mother. Written by Col Needham <col@imdb.com>

Plot Summary | Plot Synopsis

Plot Keywords:

motel | money | shower | theft | secretary | See All (285) »

Taglines:

An Alfred Hitchcock Masterpiece. See more »


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

8 September 1960 (USA) See more »

Also Known As:

Wimpy See more »

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Box Office

Budget:

$806,947 (estimated)

Gross USA:

$32,000,000

Cumulative Worldwide Gross:

$50,000,000, 31 January 2004
See more on IMDbPro »

Company Credits

Production Co:

Shamley Productions See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (cut)

Sound Mix:

Mono (Westrex Recording System)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Paramount Pictures gave Hitchcock a very small budget with which to work, because of their distaste with the source material. They also deferred most of the box-office take to Hitchcock, thinking the movie would fail. When it became a sleeper hit, Hitchcock made a fortune. See more »

Goofs

As Marion approaches the restroom at California Charlie's used car lot, the door hinges on the left with the doorknob on the right and has dark (painted?) glass in the upper half. In the interior shot, the hinges and knob are just the opposite and the door is a solid slab. In the exterior shot as Marion exits the restroom, the door is not seen, and hinges are back on the left and latches on the right, consistent with the original view. See more »

Quotes

Sheriff Al Chambers: Your detective told you he couldn't come right back because he was goin' to question Norman Bates' mother. Right?
Lila Crane: Yes.
Sheriff Al Chambers: Norman Bates' mother has been dead and buried in Greenlawn Cenetery for the past ten years!
Eliza Chambers: I helped Norman pick out the dress she was buried in. Periwinkle blue.
Sheriff Al Chambers: 'Tain't only local history, Sam. It's the only case of murder and suicide on Fairvale ledgers.
See more »

Crazy Credits

Opening credits prologue: PHOENIX, ARIZONA

FRIDAY, DECEMBER THE ELEVENTH

TWO FORTY-THREE P.M. See more »

Alternate Versions

On the Universal DVD, Norman can be heard (not seen) screaming "I am Norman Bates!" as Sam Loomis rushes in to stop him from murdering Lila. The scream is not present in at least some release prints. See more »

Connections

Edited into Psycho II (1983) See more »

Frequently Asked Questions

See more »

User Reviews

 
Always holds me from beginning to end...
25 March 2017 | by AlsExGalSee all my reviews

...from the first time I saw it at age 14 until today whenever I run across it.

This is the rare example of a much-ballyhooed film that is truly deserving of all the hype surrounding it. It would have been nice to have experienced the film without any knowledge of the plot twists. Unfortunately, for most viewers, the big surprises are not possible since so many of the scenes are part of our popular culture.There were, however, so many unexpected surprises.

The opening scene with Janet Leigh and John Gavin in the hotel room was amazing and (pardon the cliché) so real. Hitchcock and Janet Leigh did a brilliant job of pulling us into Marion Crane's story, that of a woman in love with a divorced man who might as well be married considering his heavy financial obligations that leave him unable to marry in a practical sense even though he can in a legal sense. He doesn't even have a proper home - just a room in the back of the store he owns.

Marion is then seemingly set up as the center of the movie as she thinks she has found a solution to her problems - a felonious one. Then the focus is skillfully shifted to the Norman Bates character as the "protagonist" victimized by his insane mother (or so it seemed) and then the focus is shifted once again to Marion's sister's search.

The movie was adapted from a novel so some of the original audience would have been familiar with the plot of the book. In the novel, Norman Bates was a middle-aged man. I think it was a brilliant stroke to have the Norman of the film as a man in his twenties, a boy who never grew up in a man's body. Anthony Perkins is so identified today with his role of Norman Bates that it was surprising to see how endearingly he played him in the early scenes. And he did one of the best stammers I've ever seen in a movie when he was being questioned by the private detective (Martin Balsam) who is also searching for Marion. I also wasn't expecting to see how protective the local sheriff and his wife were of Norman when they were being questioned about him and his mother. You could tell they didn't want somebody (Norman) whom they thought had been dealt a bad hand to have anymore publicity and scrutiny than he already had.

This film is mentioned in the documentary "Moguls and Movie Stars" as an example of how films were becoming more like TV as the 60s began - spartan art design and a script that was bold in the amount of sex and violence it had, even if the vast majority is implied. You have to be impressed by the versatility that is Hitchcock. Making movies in England? No problem. Making movies in the American studio system? No problem. Modernizing to deal with the evaporation of the production code? Again, no problem.

Weird factoid - for you TCM fans out there Robert Osborne is credited as "man" in Psycho, although I don't remember him ever mentioning it. The only person it could possibly be unless he never comes close to having his face on camera is the parson as the sheriff and his wife are exiting church. See what you think.


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