The powerful Greek ship-owner and constructor Thanos proposes to marry Phaedra during the baptism of a ship with her name. Phaedra, who is the daughter of Thanos' greatest competitor, is a ... See full summary »
The story of a young, wild woman who doesn't want to compromise and settle down. Stella is a restless, rebellious Greek woman who plays with men and enjoys her life as much as she can. But ... See full summary »
Restless married couple Maria and Paul take a road trip through Spain with their friend Claire. While Paul and Claire carry on a clandestine affair, Maria becomes obsessed with a recent ... See full summary »
Four stories, humorous, romantic or dramatic, are linked by a counterfeit gold sovereign. It is made by the honest engraver in the first story, seduced by the charms of a young widow, and ... See full summary »
Greece, in the 1920's, is occupied by the Turks. The country is in turmoil with entire villages uprooted. The site of the movie is a Greek village that conducts a passion play each year. ... See full summary »
Two rich old friends, Andreas and Agisilaos are in love with young Rita. Andreas believes that youth and not money drive the word. He sells his soul to the devil, becomes young and flirts ... See full summary »
Illia is Piraeus's most popular person: an energetic prostitute, full of life and good humor. Every day, she swims at the pier, entertaining the dock hands. Sundays she has an open house with food, drink and song. Homer Thrace, an amateur philosopher from Middletown, Conn., arrives in town to find out why Greece has fallen from ancient greatness. He decides Illia is a symbol of that fall, so he sets out to study and to save her. Unknown to Illia, he gets the money for the books and all else he gives her from Mr. No Face, the local vice boss who wants Illia retired because her independence gives other whores ideas. Whose spirit is stronger: Homer's classical ideal or Illia's?Written by
Features first song ("Never On Sunday") from a foreign-made movie to win an Oscar. See more »
She killed them. Medea herself, does she not say, "I killed my children"?
And you believe her? You don't understand the women. Medea loves her husband, yes?
Her husband is interested in another woman? Yes?
So she said to her husband that she has killed her children to frighten him, to get him back.
Yes. She gets him back, and everybody go away and everybody is happy and they go to the seashore. And that's all!
If I show you that everything that was ever written about Medea talks ...
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Superb acting, storyline, characters, intercultural understanding, and music
This is one of the best films ever where the characters are human (unlike Star Wars, ET, etc), don't have magic powers (Edward Scissorhands, Terminator), aren't dealing with war, divorce, murder. In fact, no one gets killed!!!! No one needs to be killed or murdered for us to be manipulated into feeling drama for these characters, because the acting and story line are that good!!! Hello, Hollywood???? A truly believable, honest, sincere snapshot of 1960 Greece, questioning the difference between 1960 Greece and ancient Greece from an American and Greek perspective. I feel some irony writing this, as this movie seems so sweet, innocent, and pure nowadays compared to today's movies with their gratuitous sex and violence, yet in its time, Never on Sunday was a bit racy and controversial, as its heroine is a prostitute, yes? And the music is still catchy and great.
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