La Notte (1961)

A day in the life of an unfaithful married couple and their steadily deteriorating relationship.

Director:

Michelangelo Antonioni

Writers:

Michelangelo Antonioni (story), Ennio Flaiano (story)

Stars:

Jeanne Moreau, Marcello Mastroianni, Monica Vitti

6 wins & 2 nominations.

Cast

Complete credited cast:
Marcello Mastroianni	...	Giovanni Pontano
Jeanne Moreau	...	Lidia Pontano
Monica Vitti	...	Valentina Gherardini
Bernhard Wicki	...	Tommaso Garani
Rosy Mazzacurati	...	Rosy
Maria Pia Luzi	...	Un'invitata
Guido A. Marsan	...	Fanti (as Guido Ajmone Marsan)
Vittorio Bertolini
Vincenzo Corbella	...	Mr. Gherardini
Ugo Fortunati	...	Cesarino
Gitt Magrini	...	Signora Gherardini
Giorgio Negro	...	Roberto
Roberta Speroni	...	Beatrice

Storyline

In Milan, after visiting dear friend Tommaso Garani that is terminal in a hospital, the writer Giovanni Pontano goes to a party for the release of his last book, and his wife Lidia Pontano visits the place where she lived many years ago. In the night, they go to a night-club, and later to a party in the mansion of the tycoon Mr. Gherardini. Along the night, Giovanni flirts with Valentina Gherardini, the daughter of the host, and then he receives a proposal to work for him in the area of communication and write the history of his company. Meanwhile, Lidia flirts with the playboy Roberto.

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Plot Keywords:

party | writer | marriage | husband wife relationship | socialite | 

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Taglines:

Many nights led to this night, nights of time, nights of fear, nights of love, nights of loneliness, nights of pursuit and conquest, nights without privacy, and this night - a night of truth.

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Genres:

Drama

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Certificate:

Not Rated

Details

Country:

Italy France

Language:

Italian English French

Release Date:

19 February 1962 (USA)

Also Known As:

The Night

Filming Locations:

Milan, Lombardia, Italy

Box Office

Opening Weekend USA:

$10,547, 18 September 2016

Gross USA:

$39,236

Cumulative Worldwide Gross:

$39,236

Company Credits

Production Co:

Nepi Film, Sofitedip, Silver Films

Technical Specs

Runtime:

122 min

Sound Mix:

Mono

Color:

Black and White

Aspect Ratio:

1.66 : 1

Did You Know?

Trivia

When Marcello Mastroianni at a party holds up a book and asks, "Who here would read The Sleepwalkers," it is a copy of Hermann Broch's epic trilogy.

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Goofs

When Giovanni pours champagne in the hospital, Bernhard Wicki (Tommaso) looks straight to the camera while turning his head from Lidia to Giovanni.

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Quotes

Beatrice: Stop sending me postcards. I'm green with envy.

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Connections

Followed by L'Eclisse (1962)

User Reviews

Loving to depict bourgeois alienation, Antonioni shows here a couple's marriage breaking down, with Monica Vitti as a delightful foil

In the late 1950s and early 1960s, the Italian director Michelangelo Antonioni shot a series of films exploring the psychological torment of his bourgeois protagonists. In spite of the wealth and security they established, they had no idea what they wanted in life or what they were supposed to do. In spite of busy social lives, they found it impossible to truly connect with other people. LA NOTTE, from 1961, is one of these, and I think it's the very best of them.

As the film opens, one morning in Milano, married couple Giovanni (Marcello Mastroianni) and Lidia (Jeanne Moreau) visit their friend Tomasso (Bernhard Wicki) in the hospital as he lays dying. Lidia is clearly shaken by the experience and, after Giovanni leaves for an appearance to promote his new book, the camera tracks Lidia through a long, aimless walk around Milano as she processes her thoughts. Here Antonioni (anticipating his later film Il Deserto Rosso) shows the drastically changing face of Milano in the postwar construction boom, and the appearance of new tech gadgetry in everyday life, as just one more way people can feel they have nothing certain they can hold on to in this world.

Giovanni and Lidia, while never outright squabbling, have clearly grown cold towards each other. Gradually one begins to wonder if there is any life left in their marriage whatsoever. Things come to a head, however, when Giovanni and Lidia go that evening to a party at a rich industrialist's villa, and Antonioni's favourite actress Monica Vitti appears. Vitti's role as a foil to Giovanni and Lidia is powerful and moving, but I think its precise nature should be left unsaid here, as it's better audiences aren't spoiled first.

A mere description of the plot might seem like nothing happens in this film besides bored people talking and yet another mid-century European cinematic tale of adultery. But LA NOTTE is a film of incredible visual poetry, almost like the work of Andrei Tarkovsky. Even scenes that evoke the characters' boredom are shot as such beautiful tableaux that the viewer is enraptured. Antonioni often shoots his characters reflected in mirrors and the like, and there is some cinematic legerdemain here that just makes you go "wow".

Appearing in Antonioni's body of work between two similar films that are often considered a trilogy, LA NOTTE has often got less buzz than its predecessor L'AVVENTURA, with its daring plot twist, or its successor L'ECLISSE with its chic Monica Vitti-Alain Delon love affair. But I think that in terms of the picture-perfect visuals and elegant pacing, LA NOTTE deserves every bit as much praise as those other two classic films.