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La Notte (1961)

La notte (original title)
Not Rated | | Drama | 19 February 1962 (USA)
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A day in the life of an unfaithful married couple and their steadily deteriorating relationship.

Writers:

Michelangelo Antonioni (story), Ennio Flaiano (story) | 4 more credits »
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6 wins & 2 nominations. See more awards »

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The movie director Niccolo has just been left by his wife. This gives him the idea of making a movie about women's relationships. He starts to search for a woman who can play the leading ... See full summary »

Director: Michelangelo Antonioni
Stars: Tomas Milian, Daniela Silverio, Christine Boisson
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Cast

Complete credited cast:
Marcello Mastroianni ... Giovanni Pontano
Jeanne Moreau ... Lidia Pontano
Monica Vitti ... Valentina Gherardini
Bernhard Wicki ... Tommaso Garani
Rosy Mazzacurati Rosy Mazzacurati ... Rosy
Maria Pia Luzi Maria Pia Luzi ... Un'invitata
Guido A. Marsan Guido A. Marsan ... Fanti (as Guido Ajmone Marsan)
Vittorio Bertolini Vittorio Bertolini
Vincenzo Corbella Vincenzo Corbella ... Mr. Gherardini
Ugo Fortunati Ugo Fortunati ... Cesarino
Gitt Magrini Gitt Magrini ... Signora Gherardini
Giorgio Negro Giorgio Negro ... Roberto
Roberta Speroni Roberta Speroni ... Beatrice
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Storyline

In Milan, after visiting dear friend Tommaso Garani that is terminal in a hospital, the writer Giovanni Pontano goes to a party for the release of his last book, and his wife Lidia Pontano visits the place where she lived many years ago. In the night, they go to a night-club, and later to a party in the mansion of the tycoon Mr. Gherardini. Along the night, Giovanni flirts with Valentina Gherardini, the daughter of the host, and then he receives a proposal to work for him in the area of communication and write the history of his company. Meanwhile, Lidia flirts with the playboy Roberto. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

Many nights led to this night, nights of time, nights of fear, nights of love, nights of loneliness, nights of pursuit and conquest, nights without privacy, and this night - a night of truth. See more »

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy | France

Language:

Italian | English | French

Release Date:

19 February 1962 (USA) See more »

Also Known As:

The Night See more »

Filming Locations:

Milan, Lombardia, Italy See more »

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Box Office

Opening Weekend USA:

$10,547, 16 September 2016, Limited Release

Gross USA:

$39,236, 16 December 2016
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

At approximately 108 minutes in, after Lidia has dried-off in Valentina's room, discussing vices as she takes her first sip of whisky, Lidia asks Valentina, "How old are you?". "Diciotto e molti, molti mesi", answers Valentina ("Eighteen and many, many months"). The subtitles say "Twenty-two". See more »

Goofs

Boom visible in shadow form as Giovanni leaves Tomasso's hospital room and walks down the corridor at 16mins or so into the film. See more »

Quotes

Tommaso Garani: Soon hospitals will look just like nightclubs. People want a good time right to the very end. Ah, the champagne.
See more »

Connections

Referenced in Play It Again, Christos (2007) See more »

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User Reviews

Urgency of desire
31 March 2011 | by chaos-rampantSee all my reviews

It's not because of films like this that Antonioni is great for me, it's because he tutored with them and grew wiser for his later more important works. Because having dissected with simple precision the crushing dilemmas of whether or not love is possible, realizing this ineffability of human connection, he could see this was not the end of our suffering and if this was not the end, we could still not rule conclusively that we have no chance to attain peace in this life.

After he concluded with the two lovers willingly not pursuing their feelings at the end of L'Eclisse, he turned inwards, and with each subsequent film he peered under one more veil of false perception. But what was he trying to look into in La Notte, what does he find here?

La Notte is a step behind L'Eclisse, naturally. Here love matters, or is thought that it should, to the bitter end. The finale is overbearing with pessimism then because love fails to be that saving grace, that we're still alone, consumed by our desires. But that's not all of it either.

Even when Mastroyanni painfully knows that the love he cherished has vanished with time and habit, he still clings to it. Even a dragging routine is preferable than the emptiness of solitude. This is how love functions here, as a shelter that soothes the existential pains, or a mask that mercifully obscures them.

But these people are not simply lost adrift in faceless crowds and cold rooms, they're clinging on the craving of desire for their salvation. When I say that the mind is not transcended yet in these films of Antonioni's alienation phase, it's because it still dictates desire, the terms under which a meaningful life should be pursued.

But to show that love is not our saving grace because it's subject to the whims and tedium of time would be to concede that we are merciless at the hands of higher forces beyond our control, that we're not masters of our fate. It was important in this aspect to go a step beyond, to show us characters become aware of the emptiness of desire by willingly giving up on it. But for that we'd have to go ahead to L'Eclisse and Il Deserto Rosso.

By itself La Notte may seem like it's laboriously pondering to say too little. As part of an oeuvre though, it has a place that can't be dismissed lightly.


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