At Zabriskie Point, United States' lowest point, two perfect strangers meet; an undergraduate dreamer and a young hippie student who start off an unrestrained romance, making love on the dusty terrain.
The movie director Niccolo has just been left by his wife. This gives him the idea of making a movie about women's relationships. He starts to search for a woman who can play the leading ... See full summary »
In Milan, after visiting dear friend Tommaso Garani that is terminal in a hospital, the writer Giovanni Pontano goes to a party for the release of his last book, and his wife Lidia Pontano visits the place where she lived many years ago. In the night, they go to a night-club, and later to a party in the mansion of the tycoon Mr. Gherardini. Along the night, Giovanni flirts with Valentina Gherardini, the daughter of the host, and then he receives a proposal to work for him in the area of communication and write the history of his company. Meanwhile, Lidia flirts with the playboy Roberto.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Many nights led to this night, nights of time, nights of fear, nights of love, nights of loneliness, nights of pursuit and conquest, nights without privacy, and this night - a night of truth. See more »
Referenced in the end credits of Life of Brian (1979). 'If you have enjoyed this film, why not go and see "La Notte"?' See more »
Boom visible in shadow form as Giovanni leaves Tomasso's hospital room and walks down the corridor at 16mins or so into the film. See more »
"When I awake this morning, you were still asleep. As I awoke I heard you gentle breathing. I saw you closed eyes beneath wisps of stray hair and I was deeply moved. I wanted to cry out, to wake you, but you slept so deeply, so soundly. " "In the half light you skin gloved with life so warm and sweet. I wanted to kiss it, but I was afraid to wake you. I was afraid of you awake in my arms again. Instead, I wanted to something no one could take from me, mine alone...this eternal image of you. ...
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Its better to wander into this film without knowing too much. The performances are all outstanding but the main credit must be handed to the artist behind it all Michelangelo Antonioni. It would have been quite beautiful to have seen this film when it came out, but even after all these years the themes still resonate as true.
I don't want to get into the plot too much, but this film is more about feeling. The friction and differences between husband and wife are explored.
Antonioni doesn't force anything, he allows a scene to play out in proper time. This film is full of symbolism and despair.
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