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30 user 39 critic

Never Take Sweets from a Stranger (1960)

Not Rated | | Drama, Horror, Mystery | August 1960 (USA)
Peter Carter meets official resistance when he finds his 9 year old daughter has been the victim of the pedophile patriarch of the town's most powerful family.

Director:

Cyril Frankel

Writers:

John Hunter (screenplay), Roger Garis (play)
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Cast

Cast overview, first billed only:
Gwen Watford ... Sally Carter
Patrick Allen ... Peter Carter
Felix Aylmer ... Clarence Olderberry Sr.
Niall MacGinnis ... Defense Counsel
Alison Leggatt Alison Leggatt ... Martha
Bill Nagy ... Clarence Olderberry Jr
Michael Gwynn ... Prosecutor
Budd Knapp ... Hammond
MacDonald Parke MacDonald Parke ... Judge
Estelle Brody Estelle Brody ... Eunice Kalliduke
Helen Horton Helen Horton ... Sylvia Kingsley
Robert Arden ... Tom Demarest
Gaylord Cavallaro Gaylord Cavallaro ... Neal Phillips
Vera Cook Vera Cook ... Mrs. Demarest
Janina Faye ... Jean Carter
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Storyline

Jean Carter, nine-year-old daughter of the town's newly-appointed school principal, Peter Carter and his wife Sally, is playing in the woods with her 11-year-old friend Lucille, when Jean discovers she has lost her purse containing her "candy" money. Lucille tells her she knows where they can get sweets for nothing, and leads her to an imposing mansion, from which the owner, Clarence Olderberry, Sr., a tall, gaunt man of 70 has been watching the girls from a window. That night Jean, unable to sleep, tells her parents that Oldeberry made her and Lucille dance before him nude in exchange for some candy. Carter files a complaint, but the local police chief, Captain Hammond, is skeptical of Jean's story and warns Carter that the Oldenberry family put the town on the map and have far more standing in the community than the new-comer Carters. Oldenberry, Jr. also tells Carter that if he follows up on the complaint he may be certain that Oldenberry's lawyers will show Jean no mercy. In the ... Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

A Nightmare Manhunt For Maniac Prowler! See more »


Certificate:

Not Rated | See all certifications »
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Details

Country:

UK

Language:

English

Release Date:

August 1960 (USA) See more »

Also Known As:

Never Take Candy from a Stranger See more »

Company Credits

Production Co:

Hammer Films See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (DVD)

Sound Mix:

Mono (RCA Sound Recording)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

On its original release, the film made little impact at the box-office and its press was mainly negative. This was partly because at the time the issue of paedophilia and child sexual abuse was a great taboo, rarely referred to or spoken about, and merely to produce a film dealing openly with the issue was deemed sordid and distasteful. See more »

Goofs

When Martha returns home after her aborted attempt to go to the hairdresser and she sits down, a shadow of the boom microphone is briefly visible on the stone wall behind Sally. See more »

Quotes

[Peter brings Jean home. The police and many town people gather around. Sally hugs Jean. Clarence Olderberry Jr. approaches them, grief-stricken and distraught after discovering what his father did to Lucille]
Clarence Jr: [to Peter and Sally] He killed her! My father... he killed that little girl!
Sally Carter: Ho, no!
Jean Carter: Mommy... I was frightened.
Sally Carter: [hugs Jean closely] It's alright, darling. You're safe now. You're home.
[Sally takes Jean into the house]
Sally Carter: Excuse me.
[...]
See more »

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User Reviews

 
Superior Hammer Thriller In a Not so Bloody Vein
12 September 2007 | by stephen-alexander-2See all my reviews

Vastly under-rated (no doubt due to it's lack of release and being regarded as just another Hammer Horror) it is yet another offering from that studio that shows just what crafted film-makers the team from Bray studios actually were.

Director Cyril Frankel extracts first-rate performances from the leading performers, with Janina Faye worthy of special mention as the key victim in the saga.

Production values are the usual high standard from the Hammer team of the late 50's - Early 60's, Bernard Robinson's production design triumphant transforming Pinewood's Black Park locations into a small Canadian town.

Freddie Francis does his sterling filter work yet again, adding menace to the lakeside finale and offering more in monochrome than could have been achieved in colour.

Considerably superior to most films that broach the subject matter and (although the copy I have seen is no better than average quality) it is hoped that the upcoming DVD release will restore the widescreen ratio thus allowing us to see it as it was intended.


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