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Shankar lives in a remote village in rural India with his mother and sister, Manju, and drives a horse-carriage for a living. The main employer in the region is a kind-hearted businessman ... See full summary »
Childhood sweethearts, Devdas and Paro grow up in a small village with a love-hate relationship which changes to love when they mature. Devdas' dad does not approve of his marriage or even any friendship with Paro, and sends him away to Calcutta where he is introduced to a dancer, Chandramukhi, who adores him and falls hopelessly in love with him. Devdas in not aware of Chandramukhi's affection ... See full summary »
Vijay struggles as a dockworker. Eventually, he becomes a leading figure of the underworld, while his younger brother, Ravi, is an educated, upright policeman. This divide causes problems in their relationship.
Raju is a joker, a clown. It is what he is and what he always shall be. As his life story unfolds in three chapters, from his school days to the circus to the streets, he must always make ... See full summary »
Wearing torn Japanese shoes, English trousers, a red Russian cap, and a Hindustani heart, orphaned Ranbir Raj comes to Bombay to make his fortune. He pawns his gold medal, gambles with the ... See full summary »
While driving his car on a rainy night, Anand's car breaks down, and he goes to seek shelter in a nearby house. He is let into the house by the servant, and he is permitted to stay until ... See full summary »
Set in the 16th century AD, the movie brings to life the tale of the doomed love affair between the Mughal Crown Prince Saleem and the beautiful, ill-fated court dancer, whose fervor and intensity perpetrates a war between the prince and his father the great Mughal Emperor Akbar, and threatens to bring an empire to its knees.Written by
Hrishi Dixit <email@example.com>
When the first shooting schedule began in 1946, K. Asif cast Chandra Mohan, D.K. Sapru, and Nargis for the roles of Akbar, Salim and Anarkali, respectively. See more »
[as she sees a crown over Bahar's head]
Oh! my queen don't you fear that someone would see you in this crown, and that would cause trouble as many girls would die for this.
Those who wear crowns do not fear. If they do, the crown won't last long on their head.
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2004: The End Credits play the song 'Pyaar Kiya To Darna Kya' and its 1960 end credits are adjacent to the 2004 (Technicians) credits. See more »
The original version is in B/W and only one song 'Pyar kiya to darna kya...' was shot in color as most of the film (by the time color technology was available) was complete. This was at the end of almost 10 years that the film was being completed. However, the year 2004 re-release is re-mastered from the original B/W version to Color with Dolby Digital sound and some visual enhancements. See more »
I haven't seen the black and white original of Mughal E Azam since the '80's, but I recently saw the restored revived colourised 2004 re-release for the first time and was astounded by the results. I'm not a believer in messing around with the originals, but bearing in mind director Asif always wanted to make the whole film in colour but didn't have enough money the "final" product is amazing to see - such is technology! It was incredibly expensive to make as it was, the restoration process must have cost a fabulous amount too.
Seminal Indian epic purporting to deal with events from about 400 years ago around Prince Saleem (Dilip Kumar) falling in love with a court dancer Anarkali (Madhubala) to his father Akbar's utter opposition and eventually causing a rift leading to all out war. The drama and war spectacle scenes are memorable enough, with thousands of humans and animals as extras, and the music is uniformly superb too. But it's Pyar Kiya To Darna Kya (If I have loved someone>why should I be afraid?) sung by Anarkali (Lata) to the 2 of them in the Hall Of Mirrors that is absolutely stunning - I will have to get the original and compare, because the remaster seems to have turned this song into something even more magical and mesmerising than I remembered. It took Naushad and Shakeel Badayuni one night to compose music and lyrics so timeless - a colourful piece of poetry in motion, with the insistent kaleidoscopic climax added by Asif. Awesome! According to the legend it was supposed to have an unhappy ending - needless to say I'm glad it was altered here to a happy one after such a roller-coaster ride!
A tremendous work of Art, showing the very best of Indian cinema.
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