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Shankar lives in a remote village in rural India with his mother and sister, Manju, and drives a horse-carriage for a living. The main employer in the region is a kind-hearted businessman ... See full summary »
Childhood sweethearts, Devdas and Paro grow up in a small village with a love-hate relationship which changes to love when they mature. Devdas' dad does not approve of his marriage or even any friendship with Paro, and sends him away to Calcutta where he is introduced to a dancer, Chandramukhi, who adores him and falls hopelessly in love with him. Devdas in not aware of Chandramukhi's affection ... See full summary »
Vijay struggles as a dockworker. Eventually, he becomes a leading figure of the underworld, while his younger brother, Ravi, is an educated, upright policeman. This divide causes problems in their relationship.
While driving his car on a rainy night, Anand's car breaks down, and he goes to seek shelter in a nearby house. He is let into the house by the servant, and he is permitted to stay until ... See full summary »
Raju is a joker, a clown. It is what he is and what he always shall be. As his life story unfolds in three chapters, from his school days to the circus to the streets, he must always make ... See full summary »
Wearing torn Japanese shoes, English trousers, a red Russian cap, and a Hindustani heart, orphaned Ranbir Raj comes to Bombay to make his fortune. He pawns his gold medal, gambles with the ... See full summary »
Set in the 16th century AD, the movie brings to life the tale of the doomed love affair between the Mughal Crown Prince Saleem and the beautiful, ill-fated court dancer, whose fervor and intensity perpetrates a war between the prince and his father the great Mughal Emperor Akbar, and threatens to bring an empire to its knees.Written by
Hrishi Dixit <firstname.lastname@example.org>
Madhubala's heavy jewellery in the film is said to have weighed a lot and would often leave the actress bruised and bedridden for days. According to a report on Movies.ndtv.com, the tickets were dockets that contained trivia and photographs of the film. The Tamil version of Mughal-E-Azam did not do well and the English version was subsequently scrapped. Director Asif wanted Ustad Bade Ghulam Ali to give the voice for Tansen in the film. When the latter refused, Aisf offered to pay him his price. When Ghulam Ali quoted Rs 25,000, Asif immediately agreed and the legend sang Prem Jogan Ban Ke and Shubh Din Aayo Raj Dulara. See more »
[Durjan Singh is having his wounds bandaged when word comes of the Prince's imminent execution]
Death shall not come to the Prince while my hands have power to hold a sword! Leave me! My body may be injured, but not my courage!
[he rushes out and sees the statue of the Goddess]
Jai Maa Kali!
See more »
2004: The End Credits play the song 'Pyaar Kiya To Darna Kya' and its 1960 end credits are adjacent to the 2004 (Technicians) credits. See more »
The original version is in B/W and only one song 'Pyar kiya to darna kya...' was shot in color as most of the film (by the time color technology was available) was complete. This was at the end of almost 10 years that the film was being completed. However, the year 2004 re-release is re-mastered from the original B/W version to Color with Dolby Digital sound and some visual enhancements. See more »
Mughal-e-Azam is indeed a colossal of a movie and its spell binding appeal and courtly grandeur has been further enhanced by the recently released color version.
Dilip Kumar, the icon of Indian Cinema and its first super star as well, has rendered complete resonance to the hedonistic persona of prince Saleem. The love travails of the myth of Anarkali have been splendidly captured on the tinsel screen through the superb portrayal by both, Madhu Bala and legendary Dilip Kumar. Besides, Pirthvi RajKapoor has also projected the required prestige and magnitude to the role of Emperor Akbar. It is worth watching, another time in color scope.
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