A bandit terrorizes a small Mexican farming village each year. Several of the village elders send three of the farmers into the United States to search for gunmen to defend them. They end up with seven, each of whom comes for a different reason. They must prepare the town to repulse an army of thirty bandits who will arrive wanting food.Written by
John Vogel <email@example.com>
The bandit chief's name Calvera resembles calavera, the Spanish word for skull. See more »
As Chris and Vin ride the hearse back from the cemetery you can see one of the tassels fall from the head of the horse on the left. In the next shot the horses are coming around a corner and the tassel is back in place. See more »
[Villagers tell Chris they collected everything of value in their village to hire gunmen]
I have been offered a lot for my work, but never everything.
See more »
The German theatrical release differs from the German VHS video in the scene where the magnificent seven have been taken by surprise and have to put down their weapons on the table. Chico is the last one and stands in enragement. In the theatrical version he then nevertheless unstraps his belt like the others. In the VHS video version Chris jumps at Chico just in that moment when he wants to pull the gun. Chris takes his gun and puts it on desk. Then Chico unstraps his belt. See more »
Re-make are seldom as good as the original, but here Hollywood or rather John Sturges managed to capture some of the spirit of Kurosawa's 'Seven Samurai' which itself owes something to the 'Three Musketeers' and which Sturges duly acknowledged in the credits. Partly this is due to some inspired casting. With the exception of Yul Brynner, none of the actors was particularly well known at the time. Steve McQueen, Charles Bronson, James Coburn, Robert Vaughn, Eli Wallach and Horst Buchholz (an unlikely Mexican) all went on to successful acting careers. The format of this film was replicated in many later films.
The plot couldn't be simpler. Desperate Mexican villagers, bled white by local bandits, retain a group of almost equally desperate gunslingers from the other side of the Rio Grand to deal with the bandits. A lot of the fun arises early on as leader Cajun Chris seeks out half a dozen suitably deranged but deadly types for the job. Ostensibly they are doing it for the money but it becomes apparent early on that they are really on the team just for the hell of it. Once they are together things don't quite go to plan, but the camaraderie holds up, and their mission is accomplished, though at considerable cost.
Despite all the action it is a character-driven piece in some ways. Eli Wallach's Calvera the bandit leader is more than a cardboard cut-out villain and Yul Brynner's enigmatic Chris keeps us guessing. The villagers, despite their matching white smocks, are not all lily-white and each of the Seven has at least one interesting weakness.
A strong feature of the film is the music, penned by the ubiquitous Elmer Bernstein, and entirely appropriate, with a main theme which seems to be permanently welded into my brain.
'The Magnificent Seven' was made at a time when the appetite for westerns was going into decline. Whereas westerns were staple film and TV fare in the 50's, the sixties saw a sharp decline, as spy dramas and sex farces burgeoned. One interesting theory I've heard about this is that it's not so much that the audience tired of westerns, but that TV executives discovered that they were being watched by the people too poor to buy their sponsor's fine products. Anyway this film holds up very well after 45 years, a true classic and satisfying to watch.
55 of 75 people found this review helpful.
Was this review helpful to you?
| Report this