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It Happened in '43 (1960)

La lunga notte del '43 (original title)
In the midst of World War II, the story of the affair of a young woman, married to a man bound to a wheelchair, with a desertor from the Italian army, intertwines with that of the grab of ... See full summary »

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(novel), (adaptation) | 3 more credits »
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4 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Anna Barilari
... Mario Villani
... Pino Barilari
... Il farmacista
Nerio Bernardi ... Avvocato Attilio Villani
Isa Querio ... Signora Villani
... Ines - sorella di Mario (as Raffaella Pelloni)
Loris Bazzocchi ... Vincent
Carlo Di Maggio ... Console Bolognesi
Alice Clements ... Blanche Villani - moglie di Mario
Silla Bettini
Romano Ghini
Mario Bellini
Gabriele Toth
Franco Cobianchi
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Storyline

In the midst of World War II, the story of the affair of a young woman, married to a man bound to a wheelchair, with a desertor from the Italian army, intertwines with that of the grab of power of a very fanatical local fascist leader, who gets the hold with a massacre of Pacific opposers, among them, the father of the young desertor. Oppresive fog covers both dramas, as a reminder of how values such as courage, love and truth are fading. Written by Francisco Báez <fbaez@cronica.com.mx>

Plot Summary | Add Synopsis

Genres:

Drama | Romance | War

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Release Date:

1961 (France)  »

Also Known As:

It Happened in '43  »

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Technical Specs

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Aspect Ratio:

1.37 : 1
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Did You Know?

Goofs

A poster of Vittorio De Sica's I bambini ci guardano can be seen. The movie was released in Italy only in 1944. See more »

Connections

References Non mi muovo! (1943) See more »

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User Reviews

 
"It Happened in '43" (1960) - directed by F. Vancini.
4 July 2012 | by See all my reviews

A remarkable film: emotional and austere, dark and shattering, quick, packed with absolute silence along with peoples' busy chatter. Ordinary, beautiful, & awful. It is profoundly atmospheric & deliciously gets under the viewer's skin: the dark winter, fog, cold, hiding, people in corners, against walls, stuck in rooms, against windows, under shadowy arcades, a night that seems like day and a day that's never fully lit. And yet the story is straightforward, not forced,nor intellectually pretentious. "A" goes to "b" goes to "c" with knife-edge clarity. At the center of the plot is a kind of Romeo-Juliet love story. Beautifully complemented by the film's last few minutes -- a shot to the present of 1960 -- which makes that past of 1943 all the more fascinating and horrible. Simultaneously remote and intimate; inescapable. A work of genuine cinematic substance & recognized as such in Europe: where it won "Lion d'or" and for which a young Pier Paolo Pasolini worked on the script. Plus it's profoundly Italian: aware of the crimes, the sins of the recent war, the inescapable pressures and violence of politics and class. And aware that people can only do so much. There is no escape. Everyone is at the mercy of larger forces. Why do people need to see zombie films when there is story, there is history, like this of such exquisite and unforgettable, unforgivable cruelty? This is a film to preserve, remember, study, and, perhaps, even learn from.


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