Professor Challenger leads an expedition of scientists and adventurers to a remote plateau deep in the Amazonian jungle to verify his claim that dinosaurs still live there.Professor Challenger leads an expedition of scientists and adventurers to a remote plateau deep in the Amazonian jungle to verify his claim that dinosaurs still live there.Professor Challenger leads an expedition of scientists and adventurers to a remote plateau deep in the Amazonian jungle to verify his claim that dinosaurs still live there.
- Awards
- 1 nomination total
- Jennifer Holmes
- (as Jill St.John)
- Man at Airport
- (uncredited)
- Airport Attendant
- (uncredited)
- Prof. Waldron
- (uncredited)
- Indian Chief
- (uncredited)
- Guest at Zoological Institute Forum
- (uncredited)
- Member of Zoological Institute Forum
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaOne of the last screen credits for Willis H. O'Brien who was the mastermind behind the special effects for the original King Kong (1933). O'Brien's input was largely restricted to hundreds of conceptual sketches for the dinosaurs. Budget limitations meant that none of them were realized on film.
- GoofsWhen the explorers encounter the dinosaur in the "Cave of Fire," the wires holding the monster upright can be seen.
- Quotes
Professor George Edward Challenger: [to the people at the Zoological Institute] I have seen these creatures with my own eyes. Curupuri. To the Indians, creatures of the supernatural. And well they might be. For we know them as gigantic creatures of the long dead Jurassic period. In other words: live dinosaurs!
- ConnectionsEdited into Voyage to the Bottom of the Sea: Turn Back the Clock (1964)
Anyway, I'll try to say something new (or at least unsaid) about this slightly tarnished Golden Oldie. I think one person did note the excellent score. One of the best things in the film is the Main Title sequence with the tempestuous music of Paul Sawtell and Bert Sheftner playing against FANTASIA-like shots of swirling molten lava. (These are certainly more vividly fantastic than the disgusting looking goo that passes for lava at the climax of the film).
One might say the film goes downhill from there, but the DVD's stereo version of the original 4-track CinemaScope soundtrack makes the entire score (and film) sound even better. The impressive aerial shots of the Amazonian jungles during the flight to the plateau are an especially effective fusion of wide-screen cinematography and music.
I personally was drawn back into this LOST WORLD after revisiting the great Circus-Circus episode in DIAMONDS ARE FOREVER, one of the best sequences in the middle-period Bond cycle.
Her role as Bond girl, Tiffany Case, is certainly a high point of Jill St. John's film career. Her smart pants suits and stylish look in DIAMONDS are possibly modeled on singer Elly Stone in the long-running Off Broadway show, Jacque Brel is Alive and Well and Living in Paris. At any rate, she looks great and the DIAMONDS wardrobe is certainly an improvement on the hot pink Capri pants she impeccably sports throughout the jungle madness and slobbering lizard attacks in LW. (The versatile Ms. St. John also wrote a cookbook, which is still apparently in print).
Claude Rains and Richard Hayden, the voice of the caterpillar in Disney's ALICE IN WONDERLAND, do the best they can with the material. Rains even looks something like the original Challenger in the classic silent version.
Ray Stricklyn as David Holmes was nominated for a 1961 Golden Globe for Best Supporting Actor in THE PLUNDERERS, and also for Most Promising Newcomer in 1959. But for better or worse LOST WORLD (and THE RETURN OF Dracula) remain the films for which he is most remembered. Scarlet Street, the cult genre magazine (for which I used to write about film music) published an interview with the then out-of-the-closet (and since deceased) Stricklyn in issue #35.
The 2-disc LOST WORLD DVD set includes an excellent restoration of the original silent version. The dream-like, sometimes surreal imagery is made even more so by the restored multi-colored tinting.
For viewers who fondly remember the era of the original 1960 release a complete version of the Dell movie tie-in comic will be an especially welcome and nostalgic addition among the bonus features.
- rbcare-care
- Jan 29, 2012
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Details
- Release date
- Country of origin
- Languages
- Also known as
- El mundo perdido
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,515,000 (estimated)
- Runtime1 hour 37 minutes
- Color
- Aspect ratio
- 2.35 : 1