A serial killer walks the streets of Whitechapel, London, attacking and killing women, which later came to be known as the 'Whitechapel murders' stretching from 3 April 1888 to 13 February ... See full summary »
In 1947 England, a plastic surgeon must beat a hasty retreat to France when one of his patients has ghastly problems with her surgery. Once there, he operates on a circus owner's daughter, ... See full summary »
England, 1795: the young Catherine has just married Charles Fengriffen and moves into his castle. She becomes the victim of an old curse that lays on the family. On her wedding night she is raped by a ghost and gets pregnant.
In the Olden Tymes, Count Regula is drawn and quartered for killing twelve virgins in his dungeon torture chamber. Thirty-five years later, he comes back to seek revenge on the daughter of ... See full summary »
In 1888, Jack the Ripper is on his killing spree. Scotland Yard Inspector O'Neill is pleased to welcome to London his old friend Sam Lowry, a New York City detective who has come to visit him and is only too happy to help out with the case. Sam becomes attracted to Anne Ford, a modern woman for the age, but her guardian, Dr. Tranter doesn't quite approve. The good doctor also seems to be out when the Ripper murders occur. As the population edge ever loser to taking the law into their own hands, the police slowly close in the killer.Written by
Jimmy McHugh and Pete Rugolo, the composers for the U.S. version of the film, teamed with Steve Allen to write a novelty song called "Jack the Ripper" as a promotional item for the film. The song was performed by Nino Tempo on a RCA 45 rpm single (#47-7694). See more »
Well, see for yourself. Look at this street. Before this ripper business started, you could hardly move along here. Stalls, barrel organs, people spilling out of the pubs, it was a happy place. Not particularly moral, but happy.
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There is a b&w TV broadcast with Spanish subtitles, cut to 81 minutes. See more »
Atmospheric and moody version of the infamous serial killer. This isn't quite as good as the version with Klaus Kinski but it remained entertaining throughout. The director does a great job building up the atmosphere of 1888 London but for some strange reason he never pushes the "mystery" surrounding the case. He throws a lot of suspects at us but for some reason he never tries to build up a mystery film as to who the killer is. There's a big twist at the end, which makes one think the film is going to do something with it but it never does. I'm not exactly sure what the filmmakers were going for but the movie still works.
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