Victor and Hillary are down on their luck to the point that they allow tourists to take guided tours of their castle. But Charles Delacro, a millionaire oil tycoon, visits, and takes a ...
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A business tycoon decides to wed a Middle Eastern princess whose customs dictate the pair must live apart for several months before marrying; even more complications settle in when the tycoon's ex-fiancée is assigned to chaperone the pair.
Victor and Hillary are down on their luck to the point that they allow tourists to take guided tours of their castle. But Charles Delacro, a millionaire oil tycoon, visits, and takes a liking to more than the house. Soon, Hattie Durant gets involved and they have a good old fashioned love triangle.Written by
Tim Kearns <firstname.lastname@example.org>
Babies, some of them naked, on a lawn, are shown as if they were the cast and crew. For example, as the camera crew's names are shown, the babies are seen trying to work a camera; the "editor" is a baby tugging on a film strip, and so on. See more »
Drawing room comedies seem to be a thing of the past. Their demise was apparently one reason Cary Grant decided to thin down his late career: his kind of parts just weren't being written anymore.
By the time this film version of a stage hit came out in 1960, the genre had just about run its course.
How fortunate to have four full-fledged stars take on the leading roles. What is Robert Mitchum doing in an English castle, interacting with "upper class royalty"?
For one thing, he plays a Texas millionaire--an impressive entree most places. Then, the rest of the cast are all transported Brits, so long established in America as to be de facto Americans. They can still deliver their clipped English lines, thought, with great flair.
("So, now you're a millionare, and I'm growing mushrooms . . . oh well, that's the way the world wags.")
Deborah Kerr is bright and vulnerable, Jean Simmons, pert and sophisticated, Robert Mitchum, cool and crafty, and Cary Grant urbane and witty. It's fun to see this quartet trading double entendres and quaint quips.
Stanley Donnen does his best with a stagy script, relying on his experienced cast to carry off the humor and action. It succeeds nicely, and its downright fun to follow their stylish jousts.
Tea, brandy, or champagne?
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