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Marlon Brando's "One-eyed Jacks": America At The Crossroads

  • CinemaRetro
Eve Goldberg presents an in-depth examination of the only film Marlon Brando ever directed: "One-Eyed Jacks" (1961)

"One-eyed Jacks: America At The Crossroads"

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A new movie schedule arrived every few months. A two-sided paper treasure chest brimming over with promises of time travel, existential wisdom, and singing in the rain. Wild Strawberries, City Lights, Battle of Algiers, Belle de Jour.

We grabbed up the schedule and studied it with care, taped it to the refrigerator door, marked our calendars. The African Queen, Yojimbo, Rules of the Game.

We made cinema voyages all over town — to the Vista in Hollywood, the Nuart in West La, the art deco Fox Venice. Before VCRs, DVDs or streaming, revival movie theaters were about the only place a film junkie could get a fix. We might find an occasional nugget on late night TV, John Ford’s Stagecoach, perhaps,
See full article at CinemaRetro »

16 Cannes Winners That Went on to Take Oscar Gold (Photos)

16 Cannes Winners That Went on to Take Oscar Gold (Photos)
Despite being two of the longest running institutions in cinema, the Oscars and Cannes have not always been the best of bedfellows. Only one film, 1955’s “Marty,” has won both the Palme D’Or and Best Picture. But many more films that have played on the croisette at Cannes have been nominated or won other big prizes from the Academy. These are the 16 films that both won the Palme D’Or and won an additional Oscar.

Marty” (1955)

In the first year that Cannes started calling their top prize the Palme D’Or, the Delbert Mann drama and romance based on the Paddy Chayefsky teleplay won four Oscars, including Best Picture, Best Director, Best Writing and Best Actor for Ernest Borgnine.

“The Silent World” (1956)

Jacques-Yves Cousteau’s pioneering, underwater nature documentary beat out films from Satyajit Ray, Alfred Hitchcock, Ingmar Bergman, Akira Kurosawa and more to win the Palme, and it also took home the Best Documentary Oscar.

Black Orpheus” (1959)

Marcel Camus’s dreamy, contemporary take on the Orpheus and Eurydice Greek myth won the Palme and the Best Foreign Language Oscar.

La Dolce Vita” (1960)

Federico Fellini’s sensuous reverie of a film “La Dolce Vita” managed Oscar nods for Best Director and Screenplay, but only won for Best Costume Design.

A Man and a Woman” (1966)

The Academy rewarded this French New Wave romance starring Anouk Aimee and Jean-Louis Trintignant with two Oscars, one for its screenplay and another for Best Foreign Language Film.

Mash” (1970)

It’s surprising to see Cannes anoint a film as irreverent as Robert Altman’s screwball war satire “Mash,” but though the Oscars nominated it for Best Picture, the award went to another war film, “Patton.” “Mash” did pick up a win for Altman’s ingenious ensemble screenplay.

Apocalypse Now” (1979)

Francis Ford Coppola’s Vietnam war masterpiece was still a work-in-progress when it screened at Cannes, and it would split the Palme with “The Tin Drum” that same year. It was nominated for eight Oscars and won two, but lost Best Picture to “Kramer vs. Kramer.”

The Tin Drum” (1979)

After splitting the Palme with “Apocalypse Now,” “The Tin Drum” won the Best Foreign Language Film Oscar with ease.

All That Jazz” (1980)

Weirdly, Bob Fosse’s musical was nominated alongside “Apocalypse Now” at the 1979 Oscars, opening in December of that year, but it won the 1980 Cannes after cleaning up four Oscars just a month earlier.

“Missing” (1982)

Jack Lemmon won Cannes’s Best Actor prize for Costa-Gavras’s political thriller in addition to “Missing” winning the Palme. And Lemmon and co-star Sissy Spacek each scored acting nominations in addition to the film being nominated for Best Picture, but it only won an Oscar for Best Adapted Screenplay.

The Mission” (1986)

Starring Robert de Niro and Jeremy Irons as Spanish Jesuits trying to save a native American tribe, Roland Joffe’s “The Mission” won the Palme and earned seven nominations but only one Oscar win for Best Cinematography.

Pelle the Conqueror” (1987)

The legendary Max von Sydow plays a Swedish immigrant in Denmark in this Danish film that won the Palme, the Best Foreign Language Oscar and netted Sydow his first acting nomination.

The Piano” (1993)

Holly Hunter won the Best Actress prize at both Cannes and the Oscars for Jane Campion’s drama that won the Palme D’Or and was nominated for eight Oscars in all.

Pulp Fiction” (1994)

Much has been written about the bombshell Quentin Tarantino set off when “Pulp Fiction” debuted at Cannes and polarized audiences by winning the Palme, not to mention the cultural rift it created when it went head to head with “Forrest Gump” at the Oscars and lost.

The Pianist” (2002)

Winning Best Director for Roman Polanski and Best Actor for Adrien Brody, “The Pianist” was a strong favorite to win Best Picture after winning the Palme, but it lost to the musical “Chicago.” Just don’t expect a repeat from Polanski anytime soon.

Amour” (2012)

Michael Haneke had just won his second Palme D’Or for his sobering romance about old age “Amour,” and rightfully so. The film paired French New Wave legends Jean-Louis Trintignant and Emmanuelle Riva and scored five Oscar nominations in all, including Best Picture, but only came away with a win for Best Foreign Language Film.

Read original story 16 Cannes Winners That Went on to Take Oscar Gold (Photos) At TheWrap
See full article at The Wrap »

European Broadcasters Join Forces Against U.S. Streaming Giants

Continental Europe’s leading public broadcasters have joined forces in a scripted content co-production pact that aims to counter the growing force of U.S. streaming services.

The potentially groundbreaking production agreement, called The Alliance, has been forged by French pubcaster France Televisions, Italy’s Rai TV, and Germany’s Zdf. Three joint projects are already in the works.

The goal of the group is to co-finance innovative, higher-profile, and generally “bigger TV series for viewers in Europe and all around the world,” they said in a joint statement.

The statement quoted France Televisions CEO Delphine Ernotte Cunci as saying
See full article at Variety - TV News »

‘Nico, 1988’ Review: Trine Dyrholm Brings the Chelsea Girl Back to Life in a Singular Biopic — Tribeca

‘Nico, 1988’ Review: Trine Dyrholm Brings the Chelsea Girl Back to Life in a Singular Biopic — Tribeca
A little girl stands on the outskirts of Berlin and watches from a distance as orange fire melts the city into a shapeless candied glow. Twenty years later, she reappears as a blonde chanteuse in Andy Warhol’s New York City, her stage name attached to one of the most influential records in the history of popular music. Twenty years after that, she sits in a Manchester radio station, patchy and strung out and shutting down any questions about her stint with The Velvet Underground — she’ll be dead in two years, but it looks as if she’s already decomposing.

The first 90 seconds of Susanna Nicchiarelli’s gloomy and grounded biopic visit all three of these periods (though the rest of it is almost exclusively set in the last one), “Nico, 1988” introducing its subject as someone who can’t extricate her present from her past. Several decades into a tortured and compelling solo career,
See full article at Indiewire »

Trust Season 1 Episode 4 Review: That's All Folks!

This show just keeps getting better and better.

While there was nothing particularly bad about the first two installments of the series, Trust Season 1 Episode 4 (like the one immediately before) has been far more exciting and intriguing.

Again, I know that the real Getty family has issues with the show's representation of events. And, of course, it's totally within their right to protest.

However, as a viewer, the creative liberties Danny Boyle & Co. have taken with Paul's story have made the show all the more entertaining.

With the recent influx of crime dramas – the two seasons of American Crime Story, in particular – I've always been able to appreciate and enjoy them as well-made pieces of TV. But the stories have never propelled me forward.

After all, given that it's based in actual history, you go in already knowing exactly how it ends.

The twists and turns throughout the past few
See full article at TVfanatic »

Trust Season 1 Episode 3 Review: La Dolce Vita

Things are starting to get interesting.

Trust Season 1 Episode 3 was, hands down, the best and most interesting of the three episodes that have aired thus far.

The chaotic, jumbled, non-linear manner in which the story unfolded was a great artistic choice.

Thematically, it also matched the frantic and chaotic inner thoughts of Paul himself, as he dealt with his faux-kidnapping-turned-real-kidnapping ordeal. The flashbacks and jumping around in time corresponded to the moments he spent in the trunks of various cars.

The opening sequence perfectly set the scene for the rest of the hour, which would largely focus on Paul's "sweet life" in Rome with his friends, Jutta, Martine (his sort-of girlfriend), and Marcello.

Visually, the introduction was filmed perfectly – and again, it was very cinematic and very Danny Boyle, specifically. The quick-change between the good (art, drugs, and sex) and the bad (the violent protest) was great. It quickly established
See full article at TVfanatic »

Fellini's "8 1/2" 55Th Anniversary Screenings

  • CinemaRetro
Fellini’s 8½ Screenings In Los Angeles with Barbara Steele In Person at Royal Screening

By Todd Garbarini

Federico Fellini’s 1963 film 8½ (Otto e Mezzo) will be shown in special 55th anniversary screenings at three of Laemmle's theatres in Los Angeles. Starring Marcello Mastroianni, Claudia Cardinale, Anouk Aimee, Sandra Milo, and Barbara Steele, the film, lauded by Roger Ebert as the greatest film ever made about filmmaking and the winner of the Best Foreign Language Oscar for that year, runs 138 minutes and is being showcased on the big screen in a rare opportunity.

The film will be shown at the following locations:

Royal, 11523 Santa Monica Boulevard, Los Angeles, CA 90025

Phone: (310) 478-0401

Wednesday, January 17, 2018 at 7:00 pm

Please Note: Actor and film historian Douglas Dunning, longtime friend of actress Barbara Steele, announces that Barbara Steele is scheduled to appear in person for a Q & A prior to the screening at the Royal theatre.
See full article at CinemaRetro »

Breaking news: why does Hollywood gloss over the world of magazine journalism?

While The Post is the latest film to venerate the men who report the news, cinema still portrays magazine offices as the realm of shallow, shameful women

As a magazine journalist, it’s hard to escape the feeling that people consider feature-writing a lesser art than hard news. You only need to look at the comments section below any lifestyle article (be it on travel, fashion, beauty or family) for confirmation (“How is this news?”) And it seems that film-makers tend to feel the same. Steven Spielberg’s The Post is the latest in a long line of heavyweight films that pay homage to the noble art of news reporting.

The BFI compiled a list of 10 great films about journalism that encompasses news writers, TV anchors and even a crash-site photographer – but no magazines, unless you count La Dolce Vita’s celebrity gossip. In general, films about magazine journalists tend
See full article at The Guardian - Film News »

44 days til Oscar nominations. Screenplay stats!

by Nathaniel R

With only 44 days until Oscar nominations and lots of confusion as to what might be nominated for screenplay (there are seemingly 7 locks for Original and only 1 contender for Adapted -- the math doesn't work. Haha!) let's use today's numerical trivia prompt for writing awards. Fact: Oscar's 4 favorite screenwriters have 44 nominations between them for writing. That's a lot of hogging of writing honors. They are...

Oscar's 20 Favorite Screenwriters

(Numbers below are for screenwriting categories only)

01 Woody Allen (16 nominations and 3 wins)

He's also been in the Acting and Directing races. Classics include Annie Hall, Hannah and Her Sisters, Manhattan and more...

02 Billy Wilder (12 nominations and 3 wins)

He's also been in the Directing and Producing races. Classics include Sunset Blvd, The Apartment, Some Like it Hot, and more...

03 John Huston (8 nominations and 1 win)

He's also been in the Acting, Directing, and Producing races. Classics include The African Queen, The Asphalt Jungle,
See full article at FilmExperience »

The Furniture: Grotesque Extravagance in Fellini's Casanova

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail. Since the Honorary Oscars are handed out next week, here's a Donald Sutherland film for you!

Federico Fellini didn’t much like Giacomo Casanova, the famously amorous subject of his meandering fantasy-biopic. The director may not have liked Donald Sutherland, either. The actor was required to shave his head and sport both a false nose and a false chin to play the long-winded lover. The costumes aren’t especially flattering either. Fellini’s Casanova is an erotic descent into Hell, a grotesque pageant of 18th century moral abandon. It frequently borders on the disgusting.

It was also on the edge of Oscar’s attention, sliding into only two categories. While Fellini’s Casanova did win for its costumes, its production design missed out entirely. Anyone betting
See full article at FilmExperience »

Blu-ray Review – The Voice of the Moon (1990)

The Voice of the Moon (La Voce Della Luna, 1990)

Directed by Federico Fellini

Starring Roberto Benigni, Paolo Villaggio, Nadia Ottaviani, Marisa Tomasi, Angelo Orlando, Syusy Blady

Synopsis:

A recently released patient from a mental hospital has a series of fantastic adventures amidst a surreal landscape while trying to win the affections of his love.

Federico Fellini’s last film is a jaw-dropping experience. Bringing together a surreal template of dream logic with wry humour and sardonic swipes at society, The Voice of the Moon – or in Italian, La Voce Della Luna – provides the magical realism and wonder of life that the Italian filmmaker is best known for.

Adapted from Ermanno Cavazzoni’s poetic novel, the story follows the recently released mental patient Ivo Salvini (Roberto Benigni, Life is Beautiful) as he navigates his way around a strange and compelling landscape. He encounters the entrancing Aldina (Nadia Ottaviani) by accident and falls in love immediately.
See full article at Flickeringmyth »

Susanna Nicchiarelli’s “Nico, 1988” Acquired by Magnolia Pictures

Nico, 1988”

Susanna Nicchiarelli’s award-winning drama about Christa Päffgen, better known as Nico, has secured distribution. Deadline reports that Magnolia Pictures snagged the U.S. rights to “Nico, 1988” and is planning a theatrical release for sometime in 2018. Trine Dyrholm (“The Commune”) portrays the Danish multi-hyphenate, who is best known for providing vocals on the Velvet Underground’s debut album, being a muse to Andy Warhol, and acting in Warhol’s “Chelsea Girls” and Federico Fellini’s “La Dolce Vita.” She was also a musician and songwriter.

Nico, 1988” takes an atypical approach to telling Nico’s story. Rather than depict the glamorous height of her fame, the film “centers on the final two years of Nico’s life in 1987 and 1988, approaching 50 and living a solitary life in Manchester,” the source summarizes. “Her manager Richard (John Gordon Sinclair) convinces her to hit the road again and tour Europe to promote her latest album. Struggling with her demons and the consequences of a muddled life, she longs to rebuild a relationship with her son, whose custody she lost long ago.”

The biopic won the Horizons competition at this year’s Venice Film Festival.

Nico, 1988” isn’t the first woman-directed film focused on Nico. Susan Ofteringer helmed the 1996 documentary “Nico-Icon.”

Nicchiarelli’s previous credits include “Cosmonaut” and “Esca viva.”

You can check out a trailer for “Nico, 1988” below.

https://medium.com/media/37ced21d5906f91853caff2db3482291/href

Susanna Nicchiarelli’s “Nico, 1988” Acquired by Magnolia Pictures was originally published in Women and Hollywood on Medium, where people are continuing the conversation by highlighting and responding to this story.
See full article at Women and Hollywood »

Foreign Film Upheaval: Why Esoteric Cultures Outpace European Mainstays at the Box Office

  • Indiewire
Foreign Film Upheaval: Why Esoteric Cultures Outpace European Mainstays at the Box Office
In 2017, we’ve seen five specialized subtitled films gross over $1 million. But the languages aren’t French, or German, or from anywhere in western Europe: The winners are Turkish, Farsi, Yiddish, and Hebrew.

These films came from Turkey, Iran, Israel, and even the United States, and played at conventional “art house” theaters (as opposed to releases from India, China, Mexico, and elsewhere, which aim at ethnically similar audiences).

Once upon a time, $100 million and more (in adjusted grosses) was possible for films like “La Dolce Vita,” “Life Is Beautiful,” and “Crouching Tiger, Hidden Dragon”: more recently, “Amelie,” “Pan’s Labyrinth,” and “The Motorcycle Diaries” easily surpassed $20 million. However, over the last few decades we’ve seen the subtitled market shift from decline to near collapse.

Read More:Why French Cinema Faces an Uncertain Future in America

What happened this year shows some revival in the market, but with some twists.
See full article at Indiewire »

'In Search of Fellini': Film Review

'In Search of Fellini': Film Review
An idealized coming-of-age memoir in which a young woman's disability-grade innocence doesn't keep her from making the most of a solo sojourn across Italy, Taron Lexton's In Search of Fellini speaks to and for women raised on cinematic fairy tales. Inspired by the experiences of The Simpsons star Nancy Cartwright, who before creating the voice of Bart went off hunting the auteur of La Dolce Vita, it marks the thesp's first screenplay (co-written by another newbie, Peter Kjenaas). But however much its sentimentalized innocence stretches credulity, the overall production remains polished, and young dreamers who come across it in limited...
See full article at The Hollywood Reporter - Movie News »

A Look Back at Married at First Sight's Jamie & Doug's Sweet Love Story

A Look Back at Married at First Sight's Jamie & Doug's Sweet Love Story
Truth: Jamie Otis and Doug Hehner’s enduring marriage is proof that getting married within minutes of meeting is a sure-fire way to live happily ever after.

Okay, so that might not work for everyone, but it did do the trick for the expectant pair who wed on Married at First Sight back in 2014.

Since then, the couple has been through blissful times — as noted in their vow renewal ceremony in 2015 — and difficult moments, as evidenced in July 2016, when the pair announced they had experienced a loss after confirming their pregnancy news only a few months earlier.

Now, Jamie and
See full article at PEOPLE.com »

"In Search of Fellini"

  • SneakPeek
Sneak Peek footage, plus images from the new adventure drama "In Search Of Fellini", directed by Taron Lexton, starring Maria Bello, Ksenia Solo, and Mary Lynn Rajskub, opening September 15, 2017:

"...a shy small-town Ohio girl who loves movies but dislikes reality, discovers the delightfully bizarre films of 'Federico Fellini' and sets off on a strange, beautiful journey across Italy to find him..."

Federico Fellini was an Italian film director, screenwriter noted for his distinct style "...that blends fantasy and baroque images with earthiness..."

In a career spanning almost fifty years, Fellini won the 'Palme d'Or' for the feature "La Dolce Vita", was nominated for twelve Academy Awards, and directed four motion pictures that won Oscars in the category of 'Best Foreign Language Film'. In 1993, he was awarded an honorary Oscar for Lifetime Achievement.

Besides "La Dolce Vita" and "8½", his other well-known films include "La Strada", "Nights of Cabiria
See full article at SneakPeek »

‘The Simpsons’ Star Nancy Cartwright: 30 Years Later, Bart Simpson Has Become a Grandma — and a First-Time Filmmaker

‘The Simpsons’ Star Nancy Cartwright: 30 Years Later, Bart Simpson Has Become a Grandma — and a First-Time Filmmaker
It’s been a big year for “The Simpsons,” but an even bigger one for the voice of Bart Simpson.

Bart, Homer and the rest of the family first appeared on “The Tracey Ullman Show” 30 years ago, and the series is about to break another record with the most episodes of any scripted series in history (surpassing “Gunsmoke”).

Nancy Cartwright has also hit personal milestones, including her second Emmy nomination for voicing Bart Simpson. But over the course of the past year, she also became a grandmother – and a first-time filmmaker.

The Simpsons” has already been picked up for Seasons 29 and 30, guaranteeing Cartwright’s role as Bart until at least 2019 – and likely beyond. “Look what we’ve done. It’s unbelievable. It’s unfathomable,” she recently told IndieWire. “At 10 years they were saying, ‘Did you have any idea?’ and then 20 years, ‘Did you know?’ And now, another decade has gone
See full article at Indiewire »

Why Jeanne Moreau’s Death Represents the Decline of French Film in America

  • Indiewire
Iconic actress Jeanne Moreau’s death this week at 89 received muted American coverage, with remembrances that hardly captured Moreau’s essential presence and influence in world cinema. Overshadowed by the passing of Sam Shepard the day before (more contemporary, American, prominent in multiple fields, and younger), she received back-page obituaries in major papers. Her lack of any Oscar nominations, or a deserved honorary award, didn’t help the cause.

Even more unfortunate is the treatment of her death reflects American audiences’ ever-increasing disinterest in French-language film. Jeanne Moreau is significant for her transcendent artistry and the directors with whom she worked, but she also represented the iconic qualities of her country’s cinema.

Though the boom in “art houses” (a term popularized in the late 1940s) came more from Italian films (“Rome, Open City,” “Shoe Shine,” and particularly “Bicycle Thief”), French film became a steady part of the subtitled market by the mid-1950s.
See full article at Indiewire »

Sweet Valley High Alum Brittany Daniel Marries Adam Touni in Urban Chic Wedding

Sweet Valley High Alum Brittany Daniel Marries Adam Touni in Urban Chic Wedding
It’s official!

The Sweet Valley High alum Brittany Daniel and her boyfriend Adam Touni have tied the knot, People confirms.

“We are overwhelmed by the outpouring of love and affection shared by our friends and family on this special day,” the couple said in a statement to People. “We are so grateful to have this kind of support as we start this journey together.”

The couple said their “I do’s” at The Carondelet House in downtown Los Angeles on Saturday in front of 150 of their closest friends and family — including maid of honor and Daniel’s twin sister,
See full article at PEOPLE.com »

9 Films New to Netflix to Watch in August 2017, Including ‘The Matrix’ Trilogy and ‘Jackie Brown’

9 Films New to Netflix to Watch in August 2017, Including ‘The Matrix’ Trilogy and ‘Jackie Brown’
Netflix may have cancelled the Wachowski’s cult hit “Sense 8,” but its adding two of their defining works to its streaming library next month. All three entries in “The Matrix” trilogy are heading to Netflix, as is the ambitious “Cloud Atlas,” which means you’ll be able to bring summer to an end by bingeing mind-melting science fiction.

Read More: Netflix Is Not the Problem: Why Bad Theatrical Presentations Are Destroying the Experience

Other titles joining the streaming service include underrated gems from Quentin Tarantino and Michael Haneke, plus two of the year’s most exciting documentary films. Check out a complete list of all the new movies joining Netflix in August 2017 below, including our 7 must-binge choices.

The Matrix” Trilogy (August 1)

August kicks off with “The Matrix,” “The Matrix Reloaded” and “The Matrix Revolutions” all becoming available to stream on Netflix. Say what you want about the two sequels, but
See full article at Indiewire »
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