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La Dolce Vita (1960)

La dolce vita (original title)
Not Rated | | Comedy, Drama | 19 April 1961 (USA)
Trailer
0:31 | Trailer

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A series of stories following a week in the life of a philandering paparazzo journalist living in Rome.

Director:

Federico Fellini

Writers:

Federico Fellini (story), Ennio Flaiano (story) | 5 more credits »
Reviews
Popularity
3,407 ( 1,300)
Won 1 Oscar. Another 10 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
Marcello Mastroianni ... Marcello Rubini
Anita Ekberg ... Sylvia
Anouk Aimée ... Maddalena (as Anouk Aimee)
Yvonne Furneaux ... Emma
Magali Noël ... Fanny (as Magali Noel)
Alain Cuny ... Steiner
Annibale Ninchi ... Il padre di Marcello
Walter Santesso Walter Santesso ... Paparazzo
Valeria Ciangottini Valeria Ciangottini ... Paola
Riccardo Garrone ... Riccardo
Ida Galli ... Debuttante dell'anno
Audrey McDonald Audrey McDonald ... Jane
Polidor ... Pagliaccio
Alain Dijon Alain Dijon ... Frankie Stout
Mino Doro Mino Doro ... Amante di Nadia
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Storyline

Journalist and man-about-town Marcello struggles to find his place in the world, torn between the allure of Rome's elite social scene and the stifling domesticity offered by his girlfriend, all the while searching for a way to become a serious writer. Written by Jeff Lewis

Plot Summary | Plot Synopsis

Taglines:

The world's most talked about movie today! See more »

Genres:

Comedy | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

Italy | France

Language:

Italian | English | French | German

Release Date:

19 April 1961 (USA) See more »

Also Known As:

La Dolce Vita See more »

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Box Office

Gross USA:

$19,516,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (premiere) | (re-release) | (premiere)

Sound Mix:

Mono (Western Electric)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

A scene was mooted that involved Marcello's relationship with an older writer, Dolores, to be played by Oscar winning actress Luise Rainer. After much protracted discussions and difficulties, due to Luise Rainer's wish to rewrite her role somewhat, Federico Fellini cancelled the scene altogether. The actress was furious, reportedly saying, "I have spoiled a priceless piece of cloth on this character that will never be!" See more »

Goofs

The aircraft which brings Sylvia to Rome is an Alitalia Vickers Viscount as it comes in to land, but is both a Douglas DC-7C and DC-6B when it is on the ground. See more »

Quotes

Steiner: Don't be like me. Salvation doesn't lie within four walls. I'm too serious to be a dilettante and too much a dabbler to be a professional. Even the most miserable life is better than a sheltered existence in an organized society where everything is calculated and perfected.
See more »


Soundtracks

I'm Goin' Away
(uncredited)
Written by Alan Greene
See more »

Frequently Asked Questions

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User Reviews

Soberty of monday morning...
26 November 2000 | by guimoSee all my reviews

(first of all, sorry my poor english) Who, in this entire world, drunk as a horse in the middle of the night, never discovered the meaning of life, that it can be so easy and joyfull that hurts. This happens with a certain frequency. The big problem is, after all that, to face all the thoughts and conclusions in a sober monday morning, when everything is just real, concious and above all that sincere. This is the the big question and problem of Marcello Rubini, a reporter of a gossip magazines who has to deal with the fact that he tastes the same poison he spreads by leaving in a group of people which he sucks his living.

In a moment he is directing his papparazzi and, in the next, he is running away from them. He flows between all kinds of social circles and the only impression he gives is that it doesnt matter what kind of craziness you are getting into everything is a big cliché. From the mainstream world of a gorgeous actress who feels able to express opinions about everything (and we buy it), passing throught the religious world of the faith, and also an intellectual circle that gives a fake impression of freedom, everything turns out to be an escape. That blonde girl appears as a stroke of pureness and sincereness, something we should really look for, but we just dont. In the case of Marcello's life, writing is the solutions he always substitute for vain experiences. Something he likes and that he needs a young girl to tell him that. That litlle cute girl is a person Marcello would like to be, someone who faces the soberty of a monday morning with hopeness and happiness.

A masterpiece.


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