Juliette is a young woman who lies to everyone. She lies to all men she attracts with her womanly charms. But when she falls for an older man her reputation as a liar precedes her and she cannot convince him that he really does love him.
The 25-year-old Lara (Aylin Tezel) takes her studies in architecture not very seriously and spends her free time with her best friend Nora (Henrike of Kuick) in Techno clubs. She is ... See full summary »
Henrike von Kuick,
17th C.Navarre, Lord Fermin, helped by an inquisitor, has started a witch hunt. Villagers are arrested and tortured to extract 'confessions'. However, Fermin is using this horror to tarnish Unai, a farmer who opposes his rule of tyranny.
In Paris during the summer of 1914 a succession of brief liaisons begins and ends with a soldier and a tart, but on the way moves humourously and sometimes poignantly through a fascinating panorama of society and of attitudes to love.
Hélène, who has just broken up with Raoul, a dentist, lets herself be seduced (though not without great resistance) by the obstinate Serge. Raoul, a modern Don Juan, now focuses on charming... See full summary »
A young man, Kazuo, joins a new cult religion even though he sees through the initial recruitment pretense, and participating in the activities of a new social phenomenon, some of whose ... See full summary »
I'm really surprised that no one commented about this film. "Ce Soir ou Jamais" (Tonight or Never) is an early film by Michel Deville, unfortunately the only Michel Deville film that I've watched. I saw it a long time ago and don't remember much. "Ce Soir ou Jamais" tells the story of a group of young friends (mostly couples) their relationships, their crises. It all culminates in a long party where games are played and feelings explode. The film is "Nouvelle Vague" at its best. The action flows, dialogues are natural, the cinematography and acting are outstanding and Deville doesn't try to reach conclusions or preach morals. We see people with their doubts and their social disguises, in short, life is shown as it is.
Anna Karina is the light that shines in "Ce Soir ou Jamais". She smiles, she dances, she's ecstatic, she's sad, she cries and has nervous breakdowns - all in one. She's a wonderful actress and human being and it's very interesting seeing Anna Karina in a film not directed by Godard.
Anyway this is an excellent film, maybe not an intellectual one. "Ce Soir ou Jamais" could be called perhaps light comedy, but it is in reality a film that makes us think about ourselves and our relationship with the others.
5 of 9 people found this review helpful.
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