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L'Avventura (1960)

L'avventura (original title)
Not Rated | | Drama, Mystery | 4 March 1961 (USA)
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A woman disappears during a Mediterranean boating trip. During the search, her lover and her best friend become attracted to each other.

Writers:

Michelangelo Antonioni (story), Michelangelo Antonioni (screenplay) | 2 more credits »
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Nominated for 2 BAFTA Film Awards. Another 6 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
Gabriele Ferzetti ... Sandro
Monica Vitti ... Claudia
Lea Massari ... Anna
Dominique Blanchar ... Giulia
Renzo Ricci ... Il padre di Anna
James Addams James Addams ... Corrado
Dorothy De Poliolo Dorothy De Poliolo ... Gloria Perkins
Lelio Luttazzi Lelio Luttazzi ... Raimondo
Giovanni Petrucci Giovanni Petrucci ... Il principe Goffredo
Esmeralda Ruspoli Esmeralda Ruspoli ... Patrizia
Enrico Bologna Enrico Bologna
Franco Cimino Franco Cimino
Giovanni Danesi Giovanni Danesi ... Il fotofrafo
Rita Molè Rita Molè
Renato Pinciroli Renato Pinciroli ... Zuria - il giornalista
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Storyline

A group of rich Italians head out on a yachting trip to a deserted volcanic island in the Mediterranean. When they are about to leave the island, they find Anna, the main character up to this point, has gone missing. Sandro, Anna's boyfriend, and Claudia, Anna's friend, try without success to find her. While looking for the missing friend, Claudia and Sandro develop an attraction for each other. When they get back to land, they continue the search with no success. Sandro and Claudia proceed to become lovers, and all but forget about the missing Anna. Written by Dork <tkarapit@gpu.srv.ualberta.ca>

Plot Summary | Add Synopsis

Taglines:

A new adventure in filmmaking...

Genres:

Drama | Mystery

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Mr Bongo Films

Country:

Italy | France

Language:

Italian | English | Greek

Release Date:

4 March 1961 (USA) See more »

Also Known As:

L'Avventura See more »

Filming Locations:

Italy See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (cut)

Sound Mix:

Mono

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

During its notorious first showing at Cannes, one scene in particular drew specific derision. It is the scene where Monica Vitti rushes down the hotel corridor looking for Sandro. Audience members were repeatedly shouting "Cut" during this lengthy scene. See more »

Goofs

During the sequence in which Sandro and the newspaper reporter cross a street, the shadows of the camera and the crew are clearly and prolongedly visible on the actors and on the street surface. See more »

Quotes

Sandro: [Admiring the buildings of a small town from a roof top] Such imagination. Such movement. They were concerned with the architectural aesthetics. Such extraordinary freedom. I must go ahead and leave Ettore. I'd like to work on design again. I used to have ideas of my own, you know.
Claudia: Why did you stop?
Sandro: Why, why, why? Because it isn't easy to admit that a red floor suits a room when you are thinking exactly the opposite. But the lady wants it red. Because there is always a lady... or a man... and so...
[...]
See more »

Connections

Edited into Histoire(s) du cinéma: Fatale beauté (1994) See more »

Soundtracks

Mai
(uncredited)
Performed by Mina
[sung along to by Monica Vitti]
See more »

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User Reviews

 
Shallow Characters In A Very Deep Film
22 March 2005 | by Poison-RiverSee all my reviews

There's something strange going on in this film.

The first time I watched it, it seemed to wash over me without affecting me in anyway. Later on(and I've read this in other people's comments here as well) I found images and dialogue from the movie creeping into my subconscious; entire dreams would take place upon the island where Anna goes missing(often in monochrome), or I'd start to compare real life events to those that occur during the film. Did Antonioni plant subliminal messages within the movie? Probably not. It's more likely the masterful pace he employs here, coupled with the busy, deep cinematography is the cause of this. Notice how the backgrounds NEVER go out of focus, no matter how much is going on within the frame. Check out the scene about an hour and ten minutes in, where Sandro and the old man are talking in the middle of an extremely busy street; nothing blurs or goes out of focus, even when a tram comes in and out of the shot, nothing loses it's perspective, and as the scene ends and they walk deep into the shot we can see way past them and far, far into the distance.

This seems to be why the film has such a deep affect on the subconscious. The characters are deliberately shallow and are placed at the very foreground of every shot, yet the backgrounds are rich tableaux bustling with life. In the scenes on the island where Anna disappears, we see the main characters always in shot, yet in the background there is a feeling that something strange within nature itself is going on. The darkening of the clouds, the sudden mist upon the water, the rocks falling to the sea, even the sudden appearance of the old hermit character, all give a certain unease.

There's also the haunting feeling of the film, as Anna's friends begin, almost immediately to forget about her. Soon, they don't seem to care a jot about her, and neither, in a sense, do we. It's this feeling of loose ends and guilt on our part(for joining her so called 'friends' in forgetting about her so quickly) that leaves the deepest impression. The characters in this film are so morally shallow(the ending bears this out) yet they are the reason this film leaves such a strong impression on those who watch it, and who become captivated by it.

I cant recommend this film to everyone because I know that the Hollywood Blockbuster has reduced most modern cinema-goers attention spans to almost zero. But if you fancy a challenge, or merely wish to luxuriate in classic cinema.....begin here.


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