The minister of the town has died and his son Chad has no tears for him. Sarah, who now calls herself Salome, is pregnant with Chad's baby, but Chad has no future, no job and no money. ...
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Cash McCall is a young and slick business man who buys failing businesses and resells them. Grant Austen's Plastics is even more of a prize to Cash, for Cash is also making a bid for ... See full summary »
While working as a counselor at a summer camp, college-student Marjorie Morgenstern falls for 32-year-old Noel Airman, a would-be dramatist working at a nearby summer theater. Like Marjorie... See full summary »
The minister of the town has died and his son Chad has no tears for him. Sarah, who now calls herself Salome, is pregnant with Chad's baby, but Chad has no future, no job and no money. Therefore, she leaves town on the train heading East. On the train she meets Tony who is heading back to Yale. Tony and his sister Catherine have one thing in common; they are both young, rich and bored with their lives. Salome goes to Yale with Tony and they are soon married, but she does not tell him about Chad or the pregnancy. Ruby takes Chad to New York where he plays trumpet and makes a name for himself. Catherine leaves school and moves in with Tony and Salome, creating tension between the young couple.Written by
Tony Fontana <email@example.com>
This was Robert Wagner's first film after finishing his Fox contract. In his autobiography, he states that the studio backlot seemed incredibly quiet with very little activity on the soundstages, and that he could tell that MGM was in trouble. See more »
A very interesting soaper, certainly much better than the Maltin review gives it credit for. The sharp dialogue is probably its best feature; the characters say things very bluntly and pseudo-honestly, like people struggling to be clever when they know, as members of a "postmodern" generation, that it's all been said before and they are doomed to re-enact old cliches themselves. They understand their own ailments and continually refer to how spoiled, afraid and enervated they are. Plot is in territory similar to "Splendor in the Grass" (love is a sickness you grow out of and can eventually re-create where you have settled) but it's real subject is how restless, discontented people spread their unhappiness around, and how this is symptomatic of these modern times. Despite Wagner playing trumpet (he does not make any attempt to sound like Chet Baker, although he IS pretty) and Pearl imitating Billie Holiday (down to a performance of "God Bless the Child") with some unfortunate prescience before Holiday's death, this is not really a music film. It's like a delayed "beat" movie that should have been made in the 50s. (Hollywood is always some years behind.) 40 years later, we needn't worry whether it seems out of date; time has been kind to this film.
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