Breathless (1960)

A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy.

Director:

Jean-Luc Godard

Writer:

François Truffaut (original scenario)

Stars:

Jean-Paul Belmondo, Jean Seberg, Daniel Boulanger

Nominated for 1 BAFTA Film Award. Another 4 wins & 3 nominations.

Cast

Complete credited cast:
Jean Seberg	...	Patricia Franchini
Jean-Paul Belmondo	...	Michel Poiccard / Laszlo Kovacs
Daniel Boulanger	...	Police Inspector Vital
Henri-Jacques Huet	...	Antonio Berrutti
Roger Hanin	...	Carl Zubart
Van Doude	...	Himself
Claude Mansard	...	Claudius Mansard
Liliane Dreyfus	...	Liliane / Minouche (as Liliane David)
Michel Fabre	...	Police Inspector #2
Jean-Pierre Melville	...	Parvulesco the Writer
Jean-Luc Godard	...	The Snitch
Richard Balducci	...	Tolmatchoff
André S. Labarthe	...	Journalist at Orly
François Moreuil	...	Journalist at Orly
Rest of cast listed alphabetically:
Jacques Lourcelles	...	(as Raymond Ravanbaz)

Storyline

Michel Poiccard, an irresponsible sociopath and small-time thief, steals a car and impulsively murders the motorcycle policeman who pursues him. Now wanted by the authorities, he renews his relationship with Patricia Franchini, a hip American girl studying journalism at the Sorbonne, whom he had met in Nice a few weeks earlier. Before leaving Paris, he plans to collect a debt from an underworld acquaintance and expects her to accompany him on his planned getaway to Italy. Even with his face in the local papers and media, Poiccard seems oblivious to the dragnet that is slowly closing around him as he recklessly pursues his love of American movies and libidinous interest in the beautiful American.

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Plot Keywords:

stolen car | love | car | journalist | criminal | 

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Taglines:

The French Film The French Talk About - The Most

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Genres:

Crime | Drama

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Certificate:

Not Rated

Details

Official Sites:

Official Site

Country:

France

Language:

French English

Release Date:

7 February 1961 (USA)

Also Known As:

Breathless

Filming Locations:

Brasserie La Coupole - 102 Boulevard Montparnasse, Paris 14, Paris, France

Box Office

Budget:

FRF 400,000 (estimated)

Opening Weekend USA:

$3,222, 23 April 2000, Limited Release

Gross USA:

$336,705, 31 October 2010

Company Credits

Production Co:

Les Films Impéria, Les Productions Georges de Beauregard, Société Nouvelle de Cinématographie (SNC)

Technical Specs

Runtime:

90 min

Sound Mix:

Mono

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

When Patricia and Michel are on the bed, and she is holding the Teddy Bear, the book Michel is reading is 'Photographing The Female Figure' by Bunny Yeager, from 1957. The close-up shots do not come from this book, though; it appears another book was used for these shots.

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Goofs

During street shots, countless passersby keep on staring into the camera, revealing the shots to be made without appropriate filming barriers and not using extras for pedestrians.

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Quotes

[first lines]
Michel Poiccard: After all, I'm an asshole. After all, yes, I've got to. I've got to!

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Connections

Featured in In the Shadow of Hollywood (2000)

User Reviews

In's not like this in movies

Jean-Luc Godard's, A Bout de Souffle is possibly the brightest star to shine from the French New Wave. The 'Nouvelle Vague' came about from a group of like minded film critics writing for the Cahiers du Cinema.

With his knowledge of classic film narrative and style Godard went out to create his own film in homage to, and also complete contradiction to, classic Hollywood film.

The plot reads almost like a crime thriller typical of the 1930-40's. A criminal on the run from the police; the distraction of a beautiful woman; the escape and eventually someones death. But it is in Godard's approach to film style and use of new technologies that the typical crime thriller was turned on its head.

In a break from classic Hollywood narrative the film opens with little equilibrium. Our protagonist's motives are unclear as he tears off to Paris leaving a woman and a dead cop in his trail. This in turn makes the ending somewhat open ended. With no sense of equilibrium to start with how can there be closure on what has happened throughout the film.

Another twist on the classic storytelling in film is the progression of plot. It is naturally assumed in classic Hollywood film, that everything the spectator sees they see for a reason. With Michel's constantly pointless phone calls to retrieve owed money the plot is not pushed along at all. The inclusion of a 25 minute digression from the plot stands to emphasise the spectators reliance on narrative structure in the watching of films. Although watching the film closely is, as always, important in following the story A Bout de Souffle requires that little bit extra to define where the plot is being progressed and where Michel or Patricia are just flattering their egos or each other.

All in all I personally think that A Bout de Souffle brought about a sense of realism not seen in Hollywood cinema before 1959 and even now. The fact that life isn't full of clues that will help us progress in say our relationships or escape from authority, but is infact full of digression; self exploration; and the confusions of love, ego and aspirations.