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The Young Philadelphians (1959)

Approved | | Drama | 30 May 1959 (USA)
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0:38 | Trailer
A promising lawyer tries to handle his social and professional problems while climbing the ranks in Philadelphia.

Director:

Vincent Sherman

Writers:

James Gunn (screenplay), Richard P. Powell (novel) (as Richard Powell)
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Nominated for 3 Oscars. Another 2 nominations. See more awards »

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Cast

Complete credited cast:
Paul Newman ... Anthony Judson Lawrence
Barbara Rush ... Joan Dickinson
Alexis Smith ... Carol Wharton
Brian Keith ... Mike Flanagan
Diane Brewster ... Kate Judson Lawrence
Billie Burke ... Mrs. J. Arthur Allen
John Williams ... Gilbert Dickinson
Robert Vaughn ... Chester A. Gwynn
Otto Kruger ... John Marshall Wharton
Paul Picerni ... Louis Donetti
Robert Douglas ... Uncle Morton Stearnes
Frank Conroy ... Doctor Shippen Stearnes
Adam West ... Bill Lawrence
Anthony Eisley ... Carter Henry (as Fred Eisley)
Richard Deacon ... George Archibald
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Storyline

Up and coming, young lawyer Anthony Lawrence faces several ethical and emotional dilemmas as he climbs the Philadelphia social ladder. His personal and professional skills are tested as he tries to balance the needs of his fiance Joan, the expectations of his colleagues and his own obligation to defend his friend Chester on a murder count. Written by Mike Welsch <mike.welsch@bull.com>

Plot Summary | Add Synopsis

Taglines:

Guilty secrets. Shocking scandals. All in a day's work for on Philadelphian lawyer.

Genres:

Drama

Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

30 May 1959 (USA) See more »

Also Known As:

The Philadelphian See more »

Company Credits

Production Co:

Warner Bros. See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound Recording)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Robert Vaughn's Best Supporting Actor Oscar nominated performance was the only one in the category not in a Best Picture nominee that year. See more »

Goofs

At 2:04:54, the butler's hand is on the rail, but he is then seen placing his hand on the rail. See more »

Quotes

Joan Dickinson: At least you have someplace to go.
Anthony Judson Lawrence: Haven't you?
Joan Dickinson: Are you kidding? I have no talents. Nothing. I was very well educated to be an idiot. And I was a very good student.
See more »

Connections

Referenced in Mästarnas match - Ingo vs. Floyd (1959) See more »

Soundtracks

Too Marvelous for Words
(uncredited)
Music by Richard A. Whiting
Lyrics by Johnny Mercer
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Frequently Asked Questions

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User Reviews

Last Warner 'Contract' Role a Winner for Newman...
18 March 2004 | by cariartSee all my reviews

By 1959, Paul Newman's career was moving into high gear, with CAT ON A HOT TIN ROOF, THE LONG, HOT SUMMER, and SOMEBODY UP THERE LIKES ME all critical and commercial successes. Even his harshest critics grudgingly admitted he was far more than just a "Brando look-alike" (as he had been labeled in his first films), but his contract to Warner Bros. forced him to also appear in potboilers (THE HELEN MORGAN STORY), and misguided comedies (RALLY 'ROUND THE FLAG, BOYS!), and Newman was chafing at the bit to be able to pick and choose his own projects.

Vincent Sherman's THE YOUNG PHILADELPHIANS, the last film under Newman's WB contract, proved to be one of the best, and he showed the dazzling sexuality and near-arrogant confidence that would mark many of his films of the next decade. As Anthony Judson Lawrence, illegitimate son of Brian Keith (performed with a brogue and a wink, as Keith was, actually, less than 4 years older than Newman), and social climbing mother Diane Brewster, he carried the name of an 'upper crust' father (Adam West, as wooden as he would be in "Batman"), whose homosexuality had been carefully hidden and whose inability to 'perform' and suicidal death on his wedding night would result in a 'deal' between mother and in-laws; the boy could keep the name, but would not have access to the family fortune.

Flashing ahead a few years, Lawrence is a strapping, 'blue collar' kind of guy, much to the chagrin of his mother, who hopes that his name will gain him inroads into Philadelphia 'society'. Working construction with his (yet unknown to him) birth father, between semesters at law school, he meets pretty socialite Joan Dickinson (Barbara Rush), who quickly falls for his sweaty, sexy charm. Lawrence's best friend, to his mother's relief, is alcoholic fellow student 'Chet' Gwynn (Robert Vaughn, in an Oscar-nominated role), heir of another elite family, who sees in Lawrence a personal courage he lacks. Vaughn's performance is a film highlight, quite similar to Lew Ayres' role in HOLIDAY, twenty years earlier, through the early part of the film.

Young Lawrence is fighting his mother's battle for acceptance, and, in the first of several 'upwardly mobile' decisions, he postpones a quick marriage to Joan, in return for help in his law career. While he is convinced the delay would help the two of them, it costs him her love. Bitterly, he decides to 'play the game', using whatever means necessary to get ahead. With a brief interruption by the Korean War, his career flourishes, aided by a willingness to use 'inside' information to obtain a choice clerking appointment, while toying with a near-affair with the 'younger' wife of the aged lawyer he is studying with (Alexis Smith, gloriously beautiful at 38). When he achieves a spot in a prestigious law firm, he 'woos' a major client (Billie Burke) over to him. With unscrupulous ease, he reaches a pinnacle his mother had only dreamed of.

But Lawrence's world is about to come crashing down, as Gwynn, his college friend, crippled in Korea, has been arrested for murder, and begs the lawyer to represent him. The trial promises to expose the seamy underbelly of Philadelphia society, revealing secrets that could destroy many lives, including his own.

Lawrence faces a moral dilemma, whether to save his friend, or preserve the fiction of his own life...

Entertaining and at times powerful, THE YOUNG PHILADELPHIANS is a fitting conclusion to the early stage of Paul Newman's career; ahead was EXODUS, and a decade of roles that would cement his position as a superstar!


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