A fur-trapper named Kelly, who once saved the life of a Sioux chief, is allowed to set his traps in Sioux territory during the late 1870s. Reluctantly he takes on a tenderfoot assistant named Anse and together they give shelter to a runaway Arapaho woman. Tensions develop when Anse falls in love with this woman and when the Sioux chief arrives with his warriors to re-claim her.Written by
dinky-4 of Minneapolis
Clint Walker did some of his own stunt work in the film. There's an excellent scene about 20 minutes in when Edd Byrnes has fallen from his horse, Walker wheels his horse around, gallops back, dismounts in reverse, hits the ground running into the foreground of the frame, takes his mark next to Byrnes and begins firing. All this is done in one shot and it's clear there was no stunt double. See more »
During the the big gunfight towards the end of the movie, when the corporal (Warren Oates) gets shot in the head, you can clearly see the red special effects shot come in from the left side of the screen and stick to the right side of his forehead. See more »
[Major Towns has proposed a fool-hardy plan of attack]
The Major is in a hurry to get buried on a Montana mountain.
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Opening credits: The West was opened by courageous trail-blazing pioneers like Lewis & Clark and Luther "Yellowstone" Kelly, - - trapper, surveyor, and indian scout who was the first frontiersman to cross the mighty Yellowstone Valley. See more »
Magnificent locations, pleasant adventure: a better way to make cinema
Magnificent locations, a pleasant adventure: "Yellowstone Kelly" is a typical nice western movie of the 1950s and, in my personal opinion, it is a relevant instance of a better way of making cinema (better than the current one, I mean).
The movie has merits and defects. Among the merits (apart the already quoted beauty of the photography): the fast-pace of the narration; a number of well-elaborated action scenes; the presence of Andra Martin as the Arapaho girl Wahleeah. In fact, beautiful Martin manages to create, with few but skillful touches, a soft erotic atmosphere rather unusual in western movies of that epoch. However, it should be noted that her (splendid) blue eyes are a relevant clumsiness of the movie. Clint Walker, in the role of the trapper Yellowstone Kelly, is a nice guy, though certainly not a great actor. As always in mature 1950's westerns, the war between whites and Indians is provoked by either hot-heads or rogues, in the present case a stupid ambitious cavalry officer: this remark is just intended to contradict the false common-place that in those years Indians were always represented as blood-thirsty savage assassins.
The story is placed around the Wyoming-Montana border: however the final part was evidently filmed in the wonderful area of Sedona, Arizona. I'm not able to decide whether this could be considered a defect of the movie: probably not. The worst flaw in the film is the fact that all Sioux perfectly understand and speak English (?). There are several other inaccuracies. For instance: I may be wrong, but I bet that the Blue Soldiers had never been equipped with Winchester carabines.
I saw "Yellowstone Kelly" at the theatre, when I was a kid: the pleasant impressions I retained have been confirmed by my recent new view at the TV. I recommend this movie, especially to people nostalgic of good old western flicks.
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