Ralph Burton is a miner who is trapped for several days as a result of a cave-in. When he finally manages to dig himself out, he realizes that all of mankind seems to have been destroyed in a nuclear holocaust. He travels to New York City only to find it deserted. Making a life for himself there, he is flabbergasted to eventually find Sarah Crandall, who also managed to survive. Together, they form a close friendship until the arrival of Benson Thacker who has managed to pilot his small boat into the city's harbor. At this point the tensions rise between the three, particularly between Thacker, who is white and Burton, who is black.Written by
garykmcd
Inger Stevens was secretly married in 1961 to Ike Jones, an African-American actor, in Tijuana, Mexico. They kept the marriage a secret because, at the time, it would've ruined her career. The truth was revealed after her death in 1970. See more »
Goofs
While Ralph walks around singing and playing the guitar, the whistle on the electric train is sounding without Ralph activating the whistle button on the transformer. See more »
Quotes
Ralph Burton:
They shall beat their swords into plowshares, and their spears into pruning hooks; nation shall not lift up sword against nation, neither shall they learn war any more.
Ralph Burton:
[...] See more »
Crazy Credits
As the film's final credits cut-in, the film states "The Beginning" rather than "The End". See more »
Like a trashy coffee table book you just can't put down. Hard to say why, but I keep going back and watching this film again and again. The irresistible notion of a single man roaming the empty streets of the big city, holds my attention every time. However, the execution of such a powerful idea gets muddled in this particular telling. For example, the city is clean -- there are no dead bodies, and any force powerful enough to disintegrate the bodies would have left traces, of which there are none. Despite the significant problems I had with this picture, I rushed out to buy the DVD first chance I got. And I bought Miklos Rozsa's score, too.
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Like a trashy coffee table book you just can't put down. Hard to say why, but I keep going back and watching this film again and again. The irresistible notion of a single man roaming the empty streets of the big city, holds my attention every time. However, the execution of such a powerful idea gets muddled in this particular telling. For example, the city is clean -- there are no dead bodies, and any force powerful enough to disintegrate the bodies would have left traces, of which there are none. Despite the significant problems I had with this picture, I rushed out to buy the DVD first chance I got. And I bought Miklos Rozsa's score, too.