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Title: A Summer Place (1959)
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| Complete credited cast: | |||
| Richard Egan | ... | Ken Jorgenson | |
| Dorothy McGuire | ... | Sylvia Hunter | |
| Sandra Dee | ... | Molly Jorgenson | |
| Arthur Kennedy | ... | Bart Hunter | |
| Troy Donahue | ... | Johnny Hunter | |
| Constance Ford | ... | Helen Jorgenson | |
| Beulah Bondi | ... | Mrs. Emily Hamilton Hamble | |
 |
Jack Richardson | ... | Claude Andrews |
|
|
Martin Eric | ... | Todd Harper, Handyman at Pine Island Inn |
The Hunter family has long owned a mansion on Pine Island, a summer resort located off the Maine coast. Bart Hunter's now deceased father was able to open the mansion for free when Bart was younger, but current owner Bart, a drunkard and weak man, must now live there year round for financial survival with his wife Sylvia and their late teen-aged son Johnny, the family who are barely able to eke out a living with the mansion now as a year-round inn which is in an extreme state of disrepair. Bart and Sylvia are in a quietly unhappy marriage due largely to Bart's drinking. The Buffalo-based Jorgensons - husband Ken Jorgenson, his wife Helen Jorgenson and their late teen-aged daughter Molly Jorgenson - have rented rooms at the inn for the summer, while Ken looks for a summer house on the island. Ken lived on the island twenty years ago, he actually a working class lifeguard for Bart's father at that time. Ken is now a self-made millionaire as a research scientist, who had never been back ... Written by Huggo
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Gorgeous-looking soap opera, with Sandra Dee swaying, swooning and suffering her way through role as young woman determined to do the deed with stodgy, windbreaker-wearing Troy Donahue. Their parents disapprove of course, that is until her father and his mother have an affair of their own! Surprisingly absorbing plot really lays on the melodrama, but so what? It's a roller-coaster ride of teen angst, romantic emotions gone too far, all blissfully filmed in beautiful color. Probably Donahue's best performance, although Dee continues her fight against a thick layer of phoniness that always seems to seep into her work (she's just not a natural, the way Connie Stevens or Tuesday Weld were). The picture is famously scored with Max Steiner's music which forever lives on oldies radio-stations, and will forever live in your head once you've heard it. It's quite lovely, but played ad nauseum. *** from ****