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Piukat paikat

Original title: Some Like It Hot
  • 1959
  • S
  • 2h 1m
IMDb RATING
8.2/10
278K
YOUR RATING
POPULARITY
1,793
190
Marilyn Monroe, Tony Curtis, and Jack Lemmon in Piukat paikat (1959)
Trailer for the classic comedy Some Like It Hot, starring Tony Curtis, Jack Lemmon, and Marilyn Monroe
Play trailer2:17
3 Videos
99+ Photos
ComedyMusicRomance

After two male musicians witness a mob hit, they flee the state in an all-female band disguised as women, but further complications set in.After two male musicians witness a mob hit, they flee the state in an all-female band disguised as women, but further complications set in.After two male musicians witness a mob hit, they flee the state in an all-female band disguised as women, but further complications set in.

  • Director
    • Billy Wilder
  • Writers
    • Billy Wilder
    • I.A.L. Diamond
    • Robert Thoeren
  • Stars
    • Marilyn Monroe
    • Tony Curtis
    • Jack Lemmon
  • See production, box office & company info
  • IMDb RATING
    8.2/10
    278K
    YOUR RATING
    POPULARITY
    1,793
    190
    • Director
      • Billy Wilder
    • Writers
      • Billy Wilder
      • I.A.L. Diamond
      • Robert Thoeren
    • Stars
      • Marilyn Monroe
      • Tony Curtis
      • Jack Lemmon
    • 508User reviews
    • 236Critic reviews
    • 98Metascore
  • See more at IMDbPro
  • Top rated movie #130
    • Won 1 Oscar
      • 11 wins & 13 nominations total

    Videos3

    Some Like It Hot
    Trailer 2:17
    Watch Some Like It Hot
    Some Like it Hot: Meet Sugar Kane
    Clip 2:13
    Watch Some Like it Hot: Meet Sugar Kane
    Some Like It Hot: Beach
    Clip 1:36
    Watch Some Like It Hot: Beach

    Photos272

    Marilyn Monroe and Tony Curtis in Piukat paikat (1959)
    Tony Curtis and Jack Lemmon in Piukat paikat (1959)
    Jack Lemmon and Billy Wilder in Piukat paikat (1959)
    Marilyn Monroe and Tony Curtis in Piukat paikat (1959)
    Marilyn Monroe, Tony Curtis, and Jack Lemmon in Piukat paikat (1959)
    Tony Curtis and Jack Lemmon in Piukat paikat (1959)
    Tony Curtis and Jack Lemmon in Piukat paikat (1959)
    Tony Curtis and Jack Lemmon in Piukat paikat (1959)
    Marilyn Monroe and Jack Lemmon in Piukat paikat (1959)
    Tony Curtis and Jack Lemmon in Piukat paikat (1959)
    Tony Curtis and Jack Lemmon in Piukat paikat (1959)
    Marilyn Monroe, Tony Curtis, and Jack Lemmon in Piukat paikat (1959)

    Top cast

    Edit
    Marilyn Monroe
    Marilyn Monroe
    • Sugar Kane Kowalczyk
    Tony Curtis
    Tony Curtis
    • Joe…
    Jack Lemmon
    Jack Lemmon
    • Jerry…
    George Raft
    George Raft
    • Spats Colombo
    Pat O'Brien
    Pat O'Brien
    • Detective Mulligan
    Joe E. Brown
    Joe E. Brown
    • Osgood Fielding III
    Nehemiah Persoff
    Nehemiah Persoff
    • Little Bonaparte
    Joan Shawlee
    Joan Shawlee
    • Sweet Sue
    Billy Gray
    • Sig Poliakoff
    George E. Stone
    George E. Stone
    • Toothpick Charlie
    Dave Barry
    Dave Barry
    • Bienstock
    Mike Mazurki
    Mike Mazurki
    • Spats' Henchman
    Harry Wilson
    Harry Wilson
    • Spats' Henchman
    Beverly Wills
    Beverly Wills
    • Dolores
    Barbara Drew
    • Nellie
    Edward G. Robinson Jr.
    Edward G. Robinson Jr.
    • Johnny Paradise
    Sam Bagley
    • Minor Role
    • (uncredited)
    Brandon Beach
    • Party Guest
    • (uncredited)
    • Director
      • Billy Wilder
    • Writers
      • Billy Wilder
      • I.A.L. Diamond
      • Robert Thoeren
    • All cast & crew
    • Production, box office & more at IMDbPro

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Years after the film's release, a movie reviewer asked Tony Curtis why his "Josephine" was so much more feminine than Jack Lemmon's "Daphne." Curtis explained he was so scared to be playing a woman (or a man pretending to be one) that his tightly wound body language could be read as demure and shy, traditionally feminine traits, whereas Lemmon, who was completely unbothered, and "ran out of his dressing room screaming like the Queen of the May," kept much more of his masculine body language.
    • Goofs
      Early in the movie, Joe talks about the Brooklyn Dodgers, a name not officially used until 1932. From 1914 to 1931 the Brooklyn baseball team was the Robins, not the Dodgers. However, the Dodgers had been an unofficial nickname since 1895, and the World Series program from 1920 even referred to them as the Dodgers instead of the Robins.
    • Quotes

      [last lines]

      Jerry: Oh no you don't! Osgood, I'm gonna level with you. We can't get married at all.

      Osgood: Why not?

      Jerry: Well, in the first place, I'm not a natural blonde.

      Osgood: Doesn't matter.

      Jerry: I smoke! I smoke all the time!

      Osgood: I don't care.

      Jerry: Well, I have a terrible past. For three years now, I've been living with a saxophone player.

      Osgood: I forgive you.

      Jerry: [tragically] I can never have children!

      Osgood: We can adopt some.

      Jerry: But you don't understand, Osgood! Ohh...

      [Jerry finally gives up and pulls off his wig]

      Jerry: [normal voice] I'm a man!

      Osgood: [shrugs] Well, nobody's perfect!

      [Jerry looks on with disbelief as Osgood continues smiling with indifference. Fade out]

    • Alternate versions
      Video version contains extended exit music after the film.
    • Connections
      Edited into Vida conyugal sana (1974)
    • Soundtracks
      Runnin' Wild
      (1922) (uncredited)

      Music by A.H. Gibbs

      Lyrics by Joe Grey and Leo Wood

      Played during the opening credits

      Played by the girls on the train and Performed by Marilyn Monroe

      Performed also a capella by Tony Curtis

      Gene Cipriano (tenor sax for Tony Curtis) and Al Hendrickson (ukulele for Marilyn Monroe)

    User reviews508

    Review
    Review
    Featured review
    10/10
    Billy Wilder's screwball masterpiece with Curtis, Lemmon and the immortal Marilyn handed the best comedy roles of their careers.
    Admittedly biased, "Some Like It Hot" can certainly stand on its own merit with or without my thunderous round of applause. More than a decade ago, I had the privilege of performing both the Tony Curtis and Jack Lemmon roles in "Sugar," the musical adaptation of "Some Like It Hot" which originally starred Tony Roberts, Robert Morse and Elaine Joyce on Broadway in the 70s. Though it hardly compares to the film's original (how could it???), the musical nevertheless is still a big hit with live audiences. I can't remember ever having a better time on stage than I did with "Sugar," and it's all due to the irrepressible talents that instigated it all.

    In the 1959 classic, Curtis and Lemmon play two ragtag musicians scraping to make ends meet in Prohibition-era Chicago during the dead of winter who accidentally eyewitness a major gangland rubout (aka the St. Valentine's Day Massacre). Barely escaping with their lives (their instruments aren't quite as lucky), our panicky twosome is forced to take it on the lam. Scared out of their shoes (sorry), the boys don heels and dresses after they connect with an all-girl orchestra tour headed for sunny Florida. Killing two birds with one stone, they figure why not go south for the winter while dodging the mob? Once they hit the coast, they'll ditch both the band and their humiliating outfits.

    Enter a major detour in the form of luscious Marilyn Monroe as Sugar Kane, given one of the sexiest (yet innocent) entrances ever afforded a star. Snugly fit in flashy 'Jazz Age' threads, a blast from the locomotive's engine taunts her incredible hour-glass figure as she rushes to catch her train to Florida. The boys, stopped dead in their high-heeled tracks by this gorgeous vision, decide maybe the gig might not be so bad after all. As the totally unreliable but engagingly free-spirited vocalist/ukelele player for the band, Sugar gets instantly chummy with the "girls" when they cover for her after getting caught with a flask of booze. As things progress, complications naturally set in - playboy Curtis falls for Monroe but has his "Josephine" guise to contend with, while Lemmon's "Daphne" has to deal with the persistently amorous attentions of a handsy older millionaire.

    What results is an uproarious Marx Brothers-like farce with mistaken identities, burlesque-styled antics, and a madcap chase finale, all under the exact supervision of director Billy Wilder, who also co-wrote the script. Lemmon and Curtis pull off the silly shenanigans with customary flair and are such a great team, you almost wish THEY ended up together! Curtis does a dead-on Cary Grant imitation while posing as a Shell Oil millionaire to impress Marilyn; Lemmon induces campy hilarity in his scenes with lecherous Joe E. Brown (who also gets to deliver the film's blue-ribbon closing line). As for the immortal Monroe, she is at her zenith here as the bubbly, vacuous, zowie-looking flapper looking for love in all the wrong places. Despite her gold-digging instincts, Monroe's Sugar is cozy, vulnerable and altogether loveable, getting a lot of mileage too out of her solo singing spots, which include the kinetic "Running Wild," the torchy "I'm Through With Love," and her classic "boop-boop-a-doop" signature song, "I Wanna Be Loved by You."

    The film is dotted with fun, atmospheric characters. Pat O'Brien and George Raft both get to spoof their Warner Bros. stereotypes as cop vs. gangster, Joan Shawlee shows off a bit of her stinger as the by-the-rules bandleader Sweet Sue, Mike Mazurki overplays delightfully the archetypal dim-bulbed henchman, and, if I'm not mistaken, I think that's young Billy Gray of "Father Knows Best" fame (the role is not listed in the credits) playing a snappy, pint-sized bellhop who comes on strong with the "girls."

    For those headscratchers who can't figure out why the so-called "mild" humor of "Some Like It Hot" is considered such a classic today, I can only presume that they have been brought up on, or excessively numbed by, the graphic, mindless toilet humor of present-day "comedies." There was a time when going for a laugh had subtlety and purity - it relied on wit, timing, inventiveness and suggestion - not shock or gross-out value. It's the difference between Sid Caesar and Andrew "Dice" Clay; between Tony Curtis and Jack Lemmon and Chris Farley and David Spade; between "I Love Lucy" and "Married With Children"; between Lemmon's novel use of maracas in the hilarious "engagement" sequence, and Cameron Diaz's use of hair gel in a scene that ANYBODY could have made funny. Jack Lemmon could do more with a pair of maracas than most actors today could do with a whole roomful of props. While "Some Like It Hot" bristles with clever sexual innuendo, today's "insult" comedies are inundated with in-your-face sexual assault which, after awhile, gets quite tiresome -- lacking any kind of finesse and leaving absolutely nothing to the imagination. I still have hope...

    Having ultimate faith in my fellow film devotees, THAT is why "Some Like It Hot" will (and should be) considered one of THE screwball classics of all time, and why most of today's attempts will (and should be) yesterday's news.
    helpful•245
    55
    • gbrumburgh
    • Apr 18, 2001

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    FAQ9

    • What is 'Some Like it Hot' about?
    • Is "Some Like it Hot" based on a book?
    • Where do Joe and Jerry get the clothes, wigs, and makeup to dress up as girls?

    Details

    Edit
    • Release date
      • October 16, 1959 (Finland)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Hett om öronen
    • Filming locations
      • Hotel del Coronado - 1500 Orange Avenue, Coronado, California, USA(Seminole Ritz Hotel)
    • Production companies
      • Ashton Productions
      • The Mirisch Corporation
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $2,883,848 (estimated)
    • Gross worldwide
      • $195,088
    See detailed box office info on IMDbPro

    Technical specs

    Edit
    • Runtime
      2 hours 1 minute
    • Color
      • Black and White
    • Aspect ratio
      • 1.85 : 1

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