7.3/10
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Shadows (1958)

PG | | Drama, Romance | 14 October 1960 (UK)
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Cassavetes' jazz-scored improvisational film explores interracial friendships and relationships in Beat-Era (1950s) New York City.

Director:

John Cassavetes

Writer:

John Cassavetes
Nominated for 3 BAFTA Film Awards. Another 2 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ben Carruthers ... Ben
Lelia Goldoni ... Lelia
Hugh Hurd Hugh Hurd ... Hugh
Anthony Ray ... Tony
Dennis Sallas Dennis Sallas ... Dennis
Tom Reese ... Tom (as Tom Allen)
David Pokitillow David Pokitillow ... David
Rupert Crosse Rupert Crosse ... Rupert
David Jones David Jones ... Davey (as Davey Jones)
Pir Marini Pir Marini ... Pir the Piano Player
Victoria Vargas Victoria Vargas ... Vickie
Jack Ackerman Jack Ackerman ... Jack, Director of Dance Studio
Jacqueline Walcott Jacqueline Walcott ... Jacqueline
Cliff Carnell
Jay Crecco Jay Crecco
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Storyline

Benny's a hipster, moving in and out of Manhattan's beat scene, aimless, maybe close to trouble. His sister Lelia, who looks less African-American than White, is vulnerable and about to fall in love. Hugh, their older brother, is a struggling singer whose agent, Rupert, may be the only person with faith in his talent. The story moves back and forth, like jazz, among the three of them and what seems at first to be separate lives. Lelia meets Tony, and lets herself hope this is true love. Then he meets Hugh and prejudice gives Tony an excuse to cut and run. Can family and friendship bring solace for her hurt, purpose for Benny, and belief in Hugh? Is life more than shadows? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

14 October 1960 (UK) See more »

Also Known As:

Sombras See more »

Company Credits

Production Co:

Lion International See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Because of the success of this film, writer-director John Cassavetes got offered movies from major studios. This resulted in Cassavetes directing two studio pictures, Too Late Blues (1961) and A Child Is Waiting (1963). See more »

Quotes

Tony: I need the key for 042!
David: You can't get it, Elaine's not in.
Rupert: Where is she?
David: She's dealing with the raccoons, man.
See more »

Crazy Credits

"Presented by Jean Shepherd's Night People" See more »

Alternate Versions

Cassavetes screened a finished version of Shadows in 1957 and 1958 that ran 78 minutes. Part of the original negative of this version was used for the 1959 version, which was completely reshot with new actors. In 2002, Prof. Ray Carney of Boston University discovered the only remaining 16mm copy of this earlier version. See more »

Connections

References The Night Heaven Fell (1958) See more »

Soundtracks

Beautiful
Written by Jack Ackerman, Hunt Stevens and Eleanor Winters
See more »

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User Reviews

 
"improvisation" at its best

It ends with the declaration that "the film you have just seen was an improvisation"-at once making you feel like an idiot for thinking an improvisation was an good movie, and astounded at Cassavetes' genius...once again. Of course, Cassavetes told some guy it wasn't really an improvisation per se, on his deathbed, so...it's the story about a light-skinned black woman, Lelia, who passes for white, and her family: another passing-for-white brother named Ben, and a black-black brother named Hughie. When she falls in love with a white jerk named Tony, he is unpleasantly surprised when he finds out she's black, and from there it goes on about the three main characters' individual aspirations and shortcomings. Hughie is a jazz singer in the process of becoming a failure, Lelia's still hopelessly depressed over Tony, and Ben is angsty and violent in general, in desperate need of something to shock him out of his stale patterns of existence. Overall, I suppose it's really about stasis vs. change in human life. I suspect that Cassavetes had the plot organized enough, and it was just the dialogue that was improvised. The dialogue itself is very uneven - sometimes somebody will say something very memorable, other times it's memorably awkward. What's amazing is the extent of the amateur actors' embodiment of their characters. Cassavetes went through the acting class he was teaching at the time he decided to do Shadows, whispered in the ears of the ten best students, and this was the result...the guys playing Ben and Hughie are very good. At first I didn't like Lelia, but as the film progressed you see more and more she's one of those actors who gets better as the tension and drama builds - not necessarily the best with small talk. Shadows is hailed by many as the forerunner of the indie film movement (made in 1959) and it's definitely recommended.


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