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Shadows (1958)

PG | | Drama, Romance | 14 October 1960 (UK)
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3:11 | Clip
Cassavetes' jazz-scored improvisational film explores interracial friendships and relationships in Beat-Era (1950s) New York City.

Director:

John Cassavetes

Writer:

John Cassavetes
Nominated for 3 BAFTA Film Awards. Another 2 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ben Carruthers ... Ben
Lelia Goldoni ... Lelia
Hugh Hurd Hugh Hurd ... Hugh
Anthony Ray ... Tony
Dennis Sallas Dennis Sallas ... Dennis
Tom Reese ... Tom (as Tom Allen)
David Pokitillow David Pokitillow ... David
Rupert Crosse Rupert Crosse ... Rupert
David Jones David Jones ... Davey (as Davey Jones)
Pir Marini Pir Marini ... Pir the Piano Player
Victoria Vargas Victoria Vargas ... Vickie
Jack Ackerman Jack Ackerman ... Jack, Director of Dance Studio
Jacqueline Walcott Jacqueline Walcott ... Jacqueline
Cliff Carnell
Jay Crecco Jay Crecco
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Storyline

Benny's a hipster, moving in and out of Manhattan's beat scene, aimless, maybe close to trouble. His sister Lelia, who looks less African-American than White, is vulnerable and about to fall in love. Hugh, their older brother, is a struggling singer whose agent, Rupert, may be the only person with faith in his talent. The story moves back and forth, like jazz, among the three of them and what seems at first to be separate lives. Lelia meets Tony, and lets herself hope this is true love. Then he meets Hugh and prejudice gives Tony an excuse to cut and run. Can family and friendship bring solace for her hurt, purpose for Benny, and belief in Hugh? Is life more than shadows? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

14 October 1960 (UK) See more »

Also Known As:

Shadows See more »

Company Credits

Production Co:

Lion International See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Shot hand-held on 16mm and then blown up to 35 mm. See more »

Quotes

Tony: I need the key for 042!
David: You can't get it, Elaine's not in.
Rupert: Where is she?
David: She's dealing with the raccoons, man.
See more »

Crazy Credits

"Presented by Jean Shepherd's Night People" See more »

Alternate Versions

Cassavetes screened a finished version of Shadows in 1957 and 1958 that ran 78 minutes. Part of the original negative of this version was used for the 1959 version, which was completely reshot with new actors. In 2002, Prof. Ray Carney of Boston University discovered the only remaining 16mm copy of this earlier version. See more »

Connections

References Ten Thousand Bedrooms (1957) See more »

Soundtracks

I Love You Truly
(uncredited)
Written by Carrie Jacobs Bond
Performed by Unknown
See more »

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User Reviews

 
Experimental Excellence
22 February 2003 | by Quinoa1984See all my reviews

John Cassavettes decided as his first film, obviously as one that could be shot on a shoestring in New York and experiment with form and time, to not ave a script with dialog (merely an outline). And he delivered a 1959 feature equivalent of (present day) Curb Your Enthusiasm- all the actors know what to do and say and even have the right look in their eyes when they talk. In other words, it's one of the most naturalistic looks at a time and place, the "beat" generation, jazzed sweetly in it's score and telling a tale of racial tensions. A group of black siblings are the center-point, with one trying to get better gigs than the average strip-club, and has a sister, much more light-skinned than him, who gets entwined with a white man in a relationship, which shatters both sides. The film, however, isn't exclusively about that; Cassavettes likes to have his characters wander around New York City (which not many films did in 1959/1960), taking in mood, attitude and something akin to visual poetry, and his style of storytelling is like that of the improvisational jazz artists of the day. Dated, to be sure, but worth a serious look for film buffs. Martin Scorsese named this as one of his heaviest influences, if nothing else.


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