The first puppet kinescope in the world. It is based on the famous poetic comedy by William Shakespeare. Three worlds meet in this story: the noble world of three Athens couples, a common ...
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A delicate and secluded ceramist sees his orderly life turn upside down, when a gigantic hand in a white glove invades his space, demanding that a sculpture of itself is made. When will the hand's obstinate demands stop?
Excellent stop-motion animation film from one of the best Czech filmmakers, Jirí Trnka. It tells the ancient story of Czechoslovakia, how it was founded by Czech, the Forefather, and a ... See full summary »
Bayaya, a young peasant, protected by the spirit of his dead mother, arrives at the castle of the King, where he entertains his three daughters. He soon realizes that the three princesses ... See full summary »
Allan visits the sinister Usher family mansion, where his friend Roderick is painting a portrait of his sickly wife Madeline. The portrait seems to be draining the life out of Madeline, slowly leading to her death.
A young artist draws a face at a canvas on his easel. Suddenly the mouth on the drawing comes into life and starts talking. The artist tries to wipe it away with his hand, but when he looks... See full summary »
Elizabeth Lee Miller,
The first puppet kinescope in the world. It is based on the famous poetic comedy by William Shakespeare. Three worlds meet in this story: the noble world of three Athens couples, a common popular world of tradesmen amateur theatre and a fairy-tale happiness of magic creatures as elves and nymphs. The film is considered the most remarkable Jirí Trnka's work and a milestone in the history of the world animation.Written by
In my opinion Czech puppet animator JIRI TRNKA outdid himself when he created this version of "A Midsummer Night's Dream".This film's aesthetic beauty is only superceded by it's technical excellence for clearly TRNKA had moved away from his earlier techniques and developed a new one.
In his film "The Emperor's Nightingale" the puppets were silent, as actors were silent in the days before talkies. But in "A Midsummer Night's Dream" the puppet's were silent in the way that actors in mime, or ballet dancers are silent.
There was also a basic difference in expression: In the first film the movement was symbolic,in the second, the action was expressed through the language of mime.
All in all... a triumph of stop-motion cinema.
Steve Weber The Laughing Egg Studio
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