The movie is about "finite nonlinears," robots that closely resemble human beings but are even more perfect than humans. They are intended to eventually replace human beings in space ... See full summary »
(U.S. Version) A mysterious magnetic spool found during a construction project is discovered to have originated from Venus. A rocket expedition to Venus is launched to discover the origin of the spool and the race that created it.Written by
Leo L. Schwab <firstname.lastname@example.org>
In the 1962 USA release version, on the film soundtrack, in a scene in the control room of the Kosmostrator rocket, we hear a music track titled "In Outer Space" from Destination Moon (1950) by Leith Stevens, and later in the movie, in the scenes of eerie destruction of the Venusian city, we hear a music track titled "Metaluna Catastrophe" from This Island Earth (1955) by Herman Stein. Both of these uses of music were uncredited and unlicensed, and unauthorized by the copyright holders. See more »
When Dr. Tchen Yu has his spacesuit punctured near the end he yelled out for Herringway, the leader of the expedition. However, he knew that Harringway was undergoing emergency surgery for injuries he had suffered just a short time before. He had specifically asked about Harringways condition on the way to where the puncture happens and is informed of the surgery. See more »
This film was released in the United States as _First Spaceship on Venus (1962)_. This version was edited down to 80 minutes, dubbed into English, and had Andrzej Markowski's score replaced by a stock score prepared by Gordon Zahler of the General Music Corporation. See more »
Recently shown at the Viennale Filmfestival, this movie (one of only five East German sci-fi films) was spoken of rather than of a trashy museal antique stuffed with communist ideology. I had thought it would be about the quality of Plan 9 from Outer Space, so I was surprised to discover that First Spaceship on Venus is not at all trashy! A lot of money seems to have been invested in the design of the mysterious landscape on venus and the spacecraft. The technical effects look highly professional!
As regards ideology, one can't make out more than a slightly pathetic call for peace in the world (which is perfectly agreeable, really) and a casual remark on how well Soviet astronomy is developed. The crew of the spaceship, though, includes an American and a Japanese as well, so it is openly international.
The moment the spacecraft starts, however, the science-fiction story stands in the foreground. It was written by Stanislaw Lem and is therefore quite interesting, shocking and full of suspense - another aspect I wouldn't have expected to get in a film like that. Of course, the acting is stiff, dialogues are reduced to a necessary minimum and the romantic element in the plot is too weak to be convincing. Probably, the screenwriters have removed most of the depth of Lem's original novel. Nevertheless, the whole film manages to evoke Kubrickesque feelings at times (note that it was made before 2001: A Space Odyssey!) and serves as an interesting historical document but also as good sci-fi fun on a Sunday afternoon.
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