Film screenwriter Jake Armitage and his wife Jo Armitage live in London with six of Jo's eight children, with the two eldest boys at boarding school. The children are spread over Jo's three... See full summary »
Joe Lampton thought he had really made it by marrying the boss's daughter in his northern mill town. But he finds he is being sidelined at work and his private life manipulated by his ... See full summary »
Despite success on the field, a rising rugby star senses the emerging emptiness of his life as his inner angst begins to materialize through aggression and brutality, so he attempts to woo his landlady in hopes of finding reason to live.
The English factory town is dreary but Joe Lampton has landed a job with a future. To have something to do at night he joins a theatrical group. His boss's daughter Susan is playing ingenue roles on stage and in real life. She is attracted to Joe and Joe thinks about how much faster he will get ahead if he is the boss's son-in-law. This plan is complicated by his strong desire to be with an older woman who also belongs to the theatrical group. She is French and unhappily married. Joe believes he can get away with seeing both women.Written by
Dale O'Connor <daleoc@interaccess,com>
The honoring of leftist French actress Simone Signoret with an Oscar led veteran right wing columnist Hedda Hopper to resign from the Academy of Motion Picture Arts and Sciences. See more »
It should be noted that the book was first published in 1957 in the UK. It was meant to depict the post-war class, social and economic structures still in place across Britain. In the novel the narrator is looking back at events that happened a decade earlier. See more »
Joe, wasn't it absolutely the most wonderful wedding? Now we really belong to each other, till death us do part. Darling, you're crying! I believe you really are sentimental after all.
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Loneliness and longing in this extraordinary, ageless masterpiece. The film is dominated by the phenomenal Simone Signoret and I got dizzy looking at her beautifully complicated face. Laurence Harvey's petulance works wonders here and Jack Clayton, the director, orchestrates a soap opera for the thinking man. Everythings rings true even the most unbelievable details. The older woman syndrome is so masterfully captured here that, at times, you want to look away because the truth in Signoret's eyes is piercing as she sexily smokes her cigarette blowing the smoke right at us. I'm just rambling I know, my intention is to wet your appetite. Another extra bonus is the superb performance by Hermione Baddely, renamed by Noel Coward as Miss Gooddely. A total must!
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