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The 400 Blows (1959)

Les quatre cents coups (original title)
Not Rated | | Crime, Drama | 16 November 1959 (USA)
A young boy, left without attention, delves into a life of petty crime.

Director:

François Truffaut

Writers:

François Truffaut (scenario), Marcel Moussy (adaptation) (as M. Moussy) | 2 more credits »
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Top Rated Movies #205 | Nominated for 1 Oscar. Another 7 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jean-Pierre Léaud ... Antoine Doinel
Claire Maurier Claire Maurier ... Gilberte Doinel - la mère d'Antoine
Albert Rémy ... Julien Doinel
Guy Decomble Guy Decomble ... 'Petite Feuille', the French teacher
Georges Flamant ... Mr. Bigey
Patrick Auffay Patrick Auffay ... René
Daniel Couturier Daniel Couturier ... Betrand Mauricet
François Nocher François Nocher ... Un enfant / Child
Richard Kanayan Richard Kanayan ... Un enfant / Child
Renaud Fontanarosa Renaud Fontanarosa ... Un enfant / Child
Michel Girard Michel Girard ... Un enfant / Child
Serge Moati Serge Moati ... Un enfant / Child (as Henry Moati)
Bernard Abbou Bernard Abbou ... Un enfant / Child
Jean-François Bergouignan Jean-François Bergouignan ... Un enfant / Child
Michel Lesignor Michel Lesignor ... Un enfant / Child
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Storyline

Seemingly in constant trouble at school, 14-year-old Antoine Doinel returns at the end of every day to a drab, unhappy home life. His parents have little money and he sleeps on a couch that's been pushed into the kitchen. His parents bicker constantly and he knows his mother is having an affair. He decides to skip school and begins a downward spiral of lies and theft. His parents are at their wits' end, and after he's stopped by the police, they decide the best thing would be to let Antoine face the consequences. He's sent to a juvenile detention facility where he doesn't do much better. He does manage to escape however. Written by garykmcd

Plot Summary | Add Synopsis

Taglines:

From the Vanguard of New Film-Makers Comes an Extraordinary Motion Picture See more »

Genres:

Crime | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France

Language:

French | English

Release Date:

16 November 1959 (USA) See more »

Also Known As:

The 400 Blows See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

When Antoine's father finally nodded to the cinema business, realizing it is Rivette's "Paris nous appartient", he said: "Si c'est un complot..." And a 'complot' (conspiracy), really, is the central issue of the Rivette's film. See more »

Goofs

At the end of the movie, crew footprints can be seen in the sand on the beach. See more »

Quotes

[first lines]
Petite Feuille: Doinel, bring me that. Indeed! Go to the corner!
See more »

Connections

Referenced in Mystery Science Theater 3000: The Atomic Brain (1993) See more »

Soundtracks

Ecole Buisonniere
(uncredited)
Written by Jean Constantin
See more »

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User Reviews

 
French cinema at its best
12 February 2006 | by maax48See all my reviews

Truffaut has worked wonders here, creating a masterful tale of a boy confused, troubled, and unloved. Antoine Doinel (played superbly by Jean-Pierre Léaud in the lead role) has strict, unfaithful parents, and a harsh, oppressive teacher, and falls into delinquency because of his unhappiness. He lies, steals, skips school and runs away from home, and soon ends up in a juvenile delinquency centre.

Truffaut's inspiration for this film came from his own depressed childhood, so he bases Antoine on himself, including in terms of appearance. Being a 'New Wave' (a cinematographic movement of the sixties, involving directors who believed Hollywood films were too lavish and unreal) director, Truffaut always used a real location for the film, including breathtaking shots of Truffaut's native Paris. He also made a cameo in the film in the style of Hitchcock.

Delinquance is the key theme here. Antoine, who is a character who believes in liberty and freedom, and the way he is always locked up is repressive for him, and this provokes a constant need for him to be out.

Trying to make a realistic and moving film was Truffaut's aim, which, by watching this film, I realised that he had done amazingly well. Also, by combining humour and drama too, we have the defining French film of the 20th century. A black and white film that is full of colour. Bien sur, François Truffaut.


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