Seemingly in constant trouble at school, 14-year-old Antoine Doinel returns at the end of every day to a drab, unhappy home life. His parents have little money and he sleeps on a couch that's been pushed into the kitchen. His parents bicker constantly and he knows his mother is having an affair. He decides to skip school and begins a downward spiral of lies and theft. His parents are at their wits' end, and after he's stopped by the police, they decide the best thing would be to let Antoine face the consequences. He's sent to a juvenile detention facility where he doesn't do much better. He does manage to escape however.
The Best Directed Picture Cannes International Film Festival 1959
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Did You Know?
All spoken lines in the film are dubbed over again by the actors themselves, save for a few minor and trivial parts. For instance, during the last scene, the sound of Antoine's footsteps was added during editing - the truck that the camera rested upon produced too much noise. Shooting on the streets of Paris, as many films of the French New Wave did, was often hectic and re-dubbing everything allowed François Truffaut
to not have to worry about lugging bulky and expensive sound equipment around, and more importantly he would not have to worry about a street scene having too much background noise. This made shooting faster and easier. See more
When carrying the typewriter, Antoine's hair is mussed, but it is in place when he puts on his hat. See more
Doinel, bring me that. Indeed! Go to the corner!
Referenced in Mike & Molly: Dips & Salsa
Composed by Jean Constantin See more