American couple Janet and Mike move to England for his business. She soon becomes paranoid that he is having an affair with his attractive secretary, and decides to get back at him by pretending she herself has been unfaithful.
Jane Osgood runs a lobster business, which supports her two young children. Railroad staff inattention ruins her shipment, so with her lawyer George, Jane sues Harry Foster Malone, director of the line and the "meanest man in the world".
In New York, the interior decorator Jan Morrow and the wolf composer Brad Allen share a party line, but Brad keeps it busy most of the time flirting with his girlfriends. They do not know each other but Jan hates Brads since she needs the telephone for her business and can not use it. Coincidently Jan's wealthy client Jonathan Forbes that woos her is the best friend of Brad and he comments with him that he feels an unrequited love for Jan, who is a gorgeous woman. When Brad meets Jan by chance in a restaurant, he poses as a naive tourist from Texas named Rex Stetson and seduces her. But Jonathan hires a private eye to find who Rex Stetson is.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Jonathan confronts Brad in the nightclub after finding out about his masquerade, he mockingly asks, "When you headin' back to the range?" and then calls him "Tex" instead of "Rex". See more »
If there's anything worse than a woman living alone, it's a woman saying she likes it.
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As Doris Day sings 'Pillow Talk' over the closing credits, the film finishes with 'the end' on two horizontal pillows' followed by 'not quite' 'not quite' 'not quite' 'not quite' stacked vertically on four pillows. See more »
This hugely enjoyable romantic comedy from the late 1950s teamed Doris Day with Rock Hudson and struck gold. They'd team for three films in all, but this is the best of them.
Doris Day plays an interior decorator who finds she's sharing a telephone party line with a womanising songwriter (Hudson) - she finds him unbearable at the end of the phone, but there are definite sparks for the better when they meet for real. He goes about romancing her in the guise of a nice Southern boy and almost succeeds ...
In support are the funny Thelma Ritter and Tony Randall, perfect foils for the glamorous leads. The film zips along with a large amount of charm, certainly helped by the colour and the snappy title song. There are numerous classic scenes to add to the fun but I won't spoil yours until you've seen it. If you've never seen this, lucky you, you've got a treat to look forward to.
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