American couple Janet and Mike move to England for his business. She soon becomes paranoid that he is having an affair with his attractive secretary, and decides to get back at him by pretending she herself has been unfaithful.
Jane Osgood runs a lobster business, which supports her two young children. Railroad staff inattention ruins her shipment, so with her lawyer George, Jane sues Harry Foster Malone, director of the line and the "meanest man in the world".
In New York, the interior decorator Jan Morrow and the wolf composer Brad Allen share a party line, but Brad keeps it busy most of the time flirting with his girlfriends. They do not know each other but Jan hates Brads since she needs the telephone for her business and can not use it. Coincidently Jan's wealthy client Jonathan Forbes that woos her is the best friend of Brad and he comments with him that he feels an unrequited love for Jan, who is a gorgeous woman. When Brad meets Jan by chance in a restaurant, he poses as a naive tourist from Texas named Rex Stetson and seduces her. But Jonathan hires a private eye to find who Rex Stetson is.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Michael Gordon had hoped to make a sequel to this movie in 1980. It was to be set 20 years after the events of 'Pillow Talk' and involve Brad and Jan having their first daughter, played by Kristy McNichol with Gregory Harrison as her boyfriend, and getting a divorce, which would allow Jonathan to have another chance of wooing Jan. Jan schemes to get Brad back, while he does some scamming of his own. Doris Day and Rock Hudson were both interested in returning for the sequel, but it unfortunately never materialized, with Day's retirement from acting being one of the reasons why. See more »
When Jan and Jonathan are talking in front of the interior design store about the car he is offering her, the same extras are seen multiple times. A woman with a blue coat and gray hat walks by four times, and a woman with a red coat walks by at least three times. See more »
The State Department could use her. What a party girl she'd make; in Moscow!
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As Doris Day sings 'Pillow Talk' over the closing credits, the film finishes with 'the end' on two horizontal pillows' followed by 'not quite' 'not quite' 'not quite' 'not quite' stacked vertically on four pillows. See more »
I can honestly say that this is my favorite movie of all time. It has everything a romantic comedy needs...a wonderful script, snappy dialog and of course, the wonderful performances by every single actor in the movie. Doris Day is dead on as Jan Morrow, a single interior decorator, living alone in New York City in the late 1950's who has to share a party line on her telephone (which was not that unusual for that day and time, as hard as it is to believe now) with Brad Allen, played with smarmy brilliance by Rock Hudson. Tony Randall plays Jan's friend and client, Jonathan, a neurotic millionaire who wants to be more than just friends with Doris, but can't get to first base with her. The delightful Thelma Ritter is perfectly cast as Alma, Day's hard drinking but wise housekeeper. Doris can't stand sharing her party line with the womanizing Brad Allen, but when Allen sees her at a night club and figures out who she is and that she will never have anything to do with him if she knows his true identity, he invents an alter ego for himself, Rex, the cowboy from Texas. The ensuing story just gets funnier and funnier, as Jonathan, (Tony Randall's character) starts figuring out the deception, and romantic mayhem ensues. Doris Day never looked lovelier as she did in this film, and Rock never looked more handsome. It is ironic that he played such a blatant womanizer in this film, when of course, in real life he was a gay man. Although the film seems kind of dated now (at the time this film was made it was unusual for a woman to be single and successful) it is still tons of fun to watch. They just don't make movies like this anymore. A definite 10 stars!
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