American couple Janet and Mike move to England for his business. She soon becomes paranoid that he is having an affair with his attractive secretary, and decides to get back at him by pretending she herself has been unfaithful.
Jane Osgood runs a lobster business, which supports her two young children. Railroad staff inattention ruins her shipment, so with her lawyer George, Jane sues Harry Foster Malone, director of the line and the "meanest man in the world".
In New York, the interior decorator Jan Morrow and the wolf composer Brad Allen share a party line, but Brad keeps it busy most of the time flirting with his girlfriends. They do not know each other but Jan hates Brads since she needs the telephone for her business and can not use it. Coincidently Jan's wealthy client Jonathan Forbes that woos her is the best friend of Brad and he comments with him that he feels an unrequited love for Jan, who is a gorgeous woman. When Brad meets Jan by chance in a restaurant, he poses as a naive tourist from Texas named Rex Stetson and seduces her. But Jonathan hires a private eye to find who Rex Stetson is.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Among this film's distinguishing elements is its innovative use of the wide-screen format, specifically its sly sexual innuendos created by split screen optics, the most famous of which suggests Doris Day and Rock Hudson are sharing a bathtub, and that his toes sliding down the wall tickle her instep. See more »
When Brad is carrying Jan out of her apartment, you can see the board on which she is supported. See more »
As Doris Day sings 'Pillow Talk' over the closing credits, the film finishes with 'the end' on two horizontal pillows' followed by 'not quite' 'not quite' 'not quite' 'not quite' stacked vertically on four pillows. See more »
This first teaming of Doris Day and Rock Hudson is a delightful, visually beautiful comedy - old-fashioned but hardly dated. The two stars make a charming, shiny couple (it's easy to see why they were so popular in their time) and Thelma Ritter steals the show in a needless but funny supporting role. The only problem you may have is that the course of the plot seems to be thoroughly predetermined from the first frame, but the film does a pretty good job of delaying the inevitable. Great sound effects, too. (***)
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