7.8/10
16,055
61 user 102 critic

Pickpocket (1959)

Not Rated | | Crime, Drama | 16 December 1959 (France)
Michel is released from jail after serving a sentence for thievery. His mother dies and he resorts to pickpocketing as a means of survival.

Director:

Robert Bresson

Writer:

Robert Bresson
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2 nominations. See more awards »

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Cast

Complete credited cast:
Martin LaSalle ... Michel (as Martin La Salle)
Marika Green Marika Green ... Jeanne
Jean Pélégri Jean Pélégri ... L'inspecteur principal
Dolly Scal Dolly Scal ... La mère
Pierre Leymarie Pierre Leymarie ... Jacques
Kassagi Kassagi ... 1er complice
Pierre Étaix ... 2ème complice
César Gattegno César Gattegno ... Un inspecteur
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Storyline

Michel takes up picking pockets as a hobby, and is arrested almost immediately, giving him the chance to reflect on the morality of crime. After his release, though, his mother dies, and he rejects the support of friends Jeanne and Jacques in favour of returning to pickpocketing (after taking lessons from an expert), because he realises that it's the only way he can express himself... Written by Michael Brooke <michael@everyman.demon.co.uk>

Plot Summary | Add Synopsis

Genres:

Crime | Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France

Language:

French

Release Date:

16 December 1959 (France) See more »

Also Known As:

Pickpocket See more »

Filming Locations:

Paris, France

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (1965)

Sound Mix:

Mono (Westrex Recording System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Film debut of Martin LaSalle. See more »

Quotes

Michel: Oh, Jeanne, to reach you at last, what a path I had to take.
See more »

Connections

Referenced in La chica de la cárcel (2004) See more »

Soundtracks

Fragments from Orchestral suite No. 7 (Suite in G, Overture)
By Johann Caspar Ferdinand Fischer (1656-1746) (uncredited)
See more »

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User Reviews

 
A riveting classic

I hated this film the first time I saw it a few years ago. I saw it again last night because my own personal code dictates that when something is universally regarded as a masterpiece and I don't like it, then I'm the one with the problem. So I saw it again to see just what my problem was. This time I thought it was riveting. It was hard to take my eyes off the screen. It is one of the best works about compulsion I have ever seen. I guess this is one of those works, like Borges' novels for example, that needs to be experienced twice to be appreciated.


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