Victor and Hillary are down on their luck to the point that they allow tourists to take guided tours of their castle. But Charles Delacro, a millionaire oil tycoon, visits, and takes a ... See full summary »
After marrying an American lieutenant with whom he was assigned to work in post-war Germany, a French captain attempts to find a way to accompany her back to the States under the terms of the War Bride Act.
A submarine newly commissioned is damaged in the opening days of WW II. A captain, looking for a command insists he can get it to a dockyard and captain it. Going slowly to this site, they find a stranded group of Army nurses and must take them aboard. How bad can it get? Trying to get a primer coat on the sub, they have to mix white and red in order to have enough. When forced to flee the dock during an air attack, they find themselves with the world's only Pink submarine, still with 5 women in the tight quarters of a submarine.Written by
John Vogel <email@example.com>
Bob Hope always said it was his biggest regret that he turned down this movie. See more »
When Major Heywood is talking to Lt Commder Sherman on her arrival on the submarine, several ships can be seen in the background. If real, these would have been more appropriate transport for the nurses. See more »
Wow! That's what I call scavenging! Uh, what I meant sir, is that I'm... That I'm sure there must be something they can be used for.
Lt. Cmdr. Matt T. Sherman:
I can think of any number of uses. But not here and now. Mr. Stovall, Lieutenant Holden's influence upon you is beginning to worry me. I suggest you "Wow" less and "Tsk-tsk-tsk" a little more.
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Opening sequences as viewed through a periscope with cast and crew as various sea creatures. See more »
Original German version was edited by ca. 22 minutes. Kinowelt DVD release incorporates ca. 5 minutes back into the film (all non-dialogue) and has the uncut English version as a bonus feature. See more »
Be warned that this film has great comic dialogue delivered with fine timing by good actors, but if you are prissy about political correctness and hung up on "gender issues", it might discomfort you. But that's your problem, not the film's. Most viewers can just come aboard and enjoy the voyage, appreciating the comic situations and energetic pace. Grant and Curtis are in top form, playing their contrasting characters with skill. Virginia Gregg's and Arthur O'Connell's characters' love/hate relationship is a clever use of classic "gender issues" to elicit laughs and sympathy. The women in this film are more than just sexy ballast. In any case, as a great French comedian noted, "Vive la difference!" Relax, enjoy, and anchors aweigh.
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