In 1964, atomic war wipes out humanity in the northern hemisphere; one American submarine finds temporary safe haven in Australia, where life-as-usual covers growing despair. In denial about the loss of his wife and children in the holocaust, American Captain Towers meets careworn but gorgeous Moira Davidson, who begins to fall for him. The sub returns after reconnaissance a month (or less) before the end; will Towers and Moira find comfort with each other?Written by
Rod Crawford <firstname.lastname@example.org>
The film had its world premiere on Dec. 17, 1959, in more than 20 cities worldwide, including Moscow. It was the first time an American film had had a premiere in the Soviet Union. The special premiere in Moscow was held at a workers' club, with 1200 Soviet dignitaries, the foreign press corps and diplomats including US Ambassador Llewellyn Thompson attending. Gregory Peck and his wife traveled to the Soviet Union for the premiere. See more »
At the Holmes' party, Dwight asks Moira about Julian, saying, "I take it that he's English and that he's here on some kind of scientific job", and later on, during the sub's cruise, Julian tells Peter he'd been in San Francisco "once on the way down", presumably from England. All this makes it appear that Julian has not been in Australia long and had not intended to stay before the war broke out. But why then does he appear to be friends of long standing with so many people (such as the party guests), not to mention his having had an apparently long-ended love affair with Moira? See more »
The following acknowledgment appears in the opening credits: "We acknowledge with appreciation the assistance given by the Royal Australian Navy and, in particular, by the officers and men of H.M.A.S. Melbourne and H.M.S. Andrew." See more »
The Cold War aspects of this movie may be a bit dated, but for those of us of a certain age it is a reminder of the fears we lived under at that time. In retrospect, it may be that Julian was wrong: it may have indeed been the very presence of these terrible weapons that prevented a third world war.
In any case, that aspect of the story never overshadows the movie's underlying theme, which is, rather, how each of us views the sum of our lives as our mortal end approaches. Are we alone? Have we connected with anyone? Have we failed? Have we loved? Have we been loved?
Color would have been all wrong for this essentially b&w story. Superb performances from Gregory Peck, Ava Gardner, Fred Astaire and the pre-Norman Bates Anthony Perkins. A fine bit as well by John Tate as the old admiral("to a blind, blind world").
A mere cold-war nuclear destruction movie would leave one merely frightened at the end. The fact that this movie leaves you with an almost unbearable feeling of terrible sadness is a testament to the human power of Nevil Shute's book, as well as to the fine script and Kramer's superb direction.
One of the most depressing movies ever made, but a truly great one.
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