A police detective investigating a jewel robbery discovers evidence that points to his girlfriend as the culprit, although she claims she was framed. He arrests her anyway, and she is ... See full summary »
Shubunka (Barry Sulivan) is a cynical gangster who controls the Neptune Beach waterfront. He runs a numbers racket with the local soda shop owner. The police are in his pocket and the local hoods are on his payroll.
Enviromentalist Anne Richards goes to Washington D. C. to fight for getting legislation passed to save the last remaining sanctuary of the almost-extinct California Condor. She enlists the ... See full summary »
Jean Simmons (a school teacher) takes a secretarial job in a nightclub. The two club owners quibble about a lot, including her. Unfortunately, she develops an interest for the partner who disapproves of her employment at the club.
Dave Burke is looking to hire two men to assist him in a bank raid: Earle Slater, a white ex-convict, and Johnny Ingram, a black gambler. Both are reluctant; but Burke arranges for Ingram's creditors to put pressure on him, while Slater feels humiliated by his failure to provide for his girlfriend; they eventually accept. But Slater loathes and despises blacks, and the tensions in the gang rapidly mount.Written by
David Levene <D.S.Levene@durham.ac.uk>
French director Jean-Pierre Melville credited this film with being a formative influence on his work and made references to it in his films. See more »
As Robert Ryan first drives the souped up Chevy wagon, we hear him grind the gears. Later, as we watch the speedometer climb to 100 MPH, we see the left side of the Powerglide shift quadrant on the steering column. Automatic transmissions don't make gear grinding noises. See more »
Yeah, yeah, I know I got rid of the headache. Now I got cancer.
See more »
This is one of my favourite American crime movies. It sits right in the middle between John Huston's "Asphalt Jungle" and William Friedkin's "The French Connection" probably the two all time best of the police/caper genre.
In "Asphalt Jungle", the suave Alonzo Emmerich says that crime is a left handed kind of human endeavour. And this describes exactly what the three guys in this movie are doing. There is even a scene that looks like a reference to that statement as Ed Begley's character is staring at a monument with the weird inscription to the effect that every man should do what his hands are capable of doing. Robert Ryan plays a kind of a brother of the Sterling Hayden character in "Asphalt Jungle", an embittered farmer's son from Kentucky who could not make it in this world, has no prospects and sees the bank robbery as his last chance. There is no doubt that Ryan was a far more talented actor than Hayden, he gives his character real depth, you almost feel sorry for him although that character is really disgusting.
"Odds against tomorrow" precedes "The French Connection" with its truly breathtaking documentary style photography, the use of music and sound effects to heighten the tension (the soundtrack is just terrific, Harry Belafontes talents were put to good use in a very sensible way) and in the way the characters are shown just waiting out in the cold.
It is really a film about men in winter, where there is no hope left. Great care was taken to make all the three main characters human beings with real feelings. In this aspect the ending really is disappointing it seems to belong to an other movie, its symbolism does not fit in at all and gives the aspect of racism an importance that in this story it does not really possess. The racism of the Ryan character seems like a pretext he was so miserable, he just needed somebody to hate, it could have been any particular group of living beings.
26 of 30 people found this review helpful.
Was this review helpful to you?
| Report this