North by Northwest

Its Hitch's most briskly entertaining movie, and one of his most comic, adventure-caper type movies, largely thanks to the persona of Cary Grant. But its also one of his most suspenseful - in the fact that Grant is being recognised as someone else, and that he may be put in jail for someone else's crime.

I've finally come to realise just how great North by Northwest is. The reason you should love Hitchcock is he put entertainment upfront. Hitchcock was not interested in whether this or that would happen in real life: he was interested in what would make the most entertaining scene for the movie. North by Northwest is a peak in this regard. The dialogue and situations intentionally throw reality to the wind - the double-entendre dialogue in the love scenes is not supposed to be the way people talk!

If you said to Hitchcock "as if he'd keep driving" or "as if she'd do that" - he would just laugh at you and say you've missed the point. This is 100% movieland, and once you get used to the fact, and that this is not a fault in the film, but done intentionally, you'll love it. Its expressionistic - everything happens in movie language: the people laughing at Grant in the elevator, the way he keeps driving drunk near the beginning, the way he grabs the knife and everyone stares at him after someone's been stabbed.

It flirts with the idea of identity. I thought it was interesting how Grant first is dismissing, then incredulous that people should be calling him by another name; then, as the tries to find out who this guy is, he enters the hotel room of this new identity, then he puts the suit on, and finally he identifies himself as George Kaplan.

A succession of fantastic, memorable scenes, a great leading man in Grant, and one of Hermann's essential Hitch scores make for a movie i can put on at any time.

10/10

With everything you expect from Hitchcock and more, "North By Northwest" is terrific entertainment from the master. There are interesting characters, an exciting story with intrigue and suspense, lots of fine photography, and some of Hitchcock's best-known set pieces. It's capped off by a fine Bernard Herrmann score that is almost as good as the one he wrote later for "Psycho".

Cary Grant may be the ideal Hitchcock actor, and he is a big part of making this such great fun. As one of the man-on-the-run characters that Hitchcock loved to make movies about, Grant is entertaining and believable, maintaining good humor even as he tries to work his way out of a series of desperate situations. The other stars, James Mason and Eva Marie Saint, also are very good, and the supporting roles are all filled by good character actors.

The story is one of Hitchcock's most exciting. It's slightly longer than usual, and it occasionally stretches credibility, but it all goes by quickly because there is always something interesting going on, and there is also plenty to look at. Whether using the famous landmarks or using more everyday settings, there is always lots of good detail, and the settings complement the story nicely. At times the plot becomes somewhat fanciful, but probably deliberately so, for it only emphasizes Hitchcock's mastery of technique that he can have his characters do almost anything and make you believe it at the time.

With everything that characterizes Hitchcock at his very best, this fully deserves its reputation as one of the finest films by him or any other director. You can watch it several times and still find it just as entertaining.

Cary Grant handles the twisted expressions of his face, his astonished look, his impulsive smile with professional self-assurance and charm while taking us right in the middle of confusion on a breathless 2000-mile cross-country chase which has its gripping showdown across the giant faces of the presidents sculptured on Mount Rushmore high above Rapid City, South Dakota…

Grant plays Roger Thornhill, a stylish publicist, mistaken for a fictitious Federal agent, plunged into a world of crime and intrigue, hunted down by villains who want to eliminate him because he seems to be on their dishonest dealings…

When questioned by bland Phillip Vandamm (James Mason), Thornhill is unable to convince him that he is a victim of a mistaken identity… His three thugs fill him with bourbon, and place him in a stolen car expecting him to have a drunken accident… After narrowly escaping death, no one believes his story including, obviously, his skeptical mother (Jessie Royce Landis).

In an effort to discover the agent he is being confused with, and using the clues he collected, Thornhill returns to the United Nations Headquarter looking for George Kaplan… There, somebody falls into his arms and unthinkingly, Thornhill draws the blade out of the victim's back and is photographed holding the weapon in mid-air… And thus became a fugitive from justice, pursued by the cops and had to skip by boarding a train to Chicago…

While on the run, he is caught by a provocative platinum blonde (Eva Marie Saint), who comes out as a glamorous woman and a delightful charmer…

James Mason, a polished mastermind spy showed too well to be threatening... His menacing henchman, Martin Landau is also convincingly hurtful...

In his fifth Hitchcock picture, Leo G. Carroll is suave and calm as the devoted intelligence chief…

Directed by a genius behind the camera, "North By Northwest" remains a genuinely exciting film for the dangerous world of spies and counterspies

Alfred Hitchcock's "North by Northwest" is one of the best films in his long and distinguished career. Part of the success of the movie lies in the screen play by Ernest Lehman, one of the best writers of that era. Also, the haunting music by Mr. Hitchcock's usual collaborator, Bernard Hermann, adds texture to what we are seeing. Together with all the above mentioned qualities, "North by Northwest" was photographed by Robert Burks and was edited by George Tomasini, both men did outstanding jobs to enhance a film that shows a mature and inspired Alfred Hitchcock.

The film works because of the witty dialog Mr. Lehman wrote. This has to be one of the riskiest projects undertaken by Mr. Hitchcock because of the sexiness Eva Kendall exudes throughout the film and the repartee between her and Roger Thornhill. The film mixes adventure and romance that aren't put ons, as one feels what one's watching to be really happening.

Much has been said in this forum as to the values of this classic, so we shall only add our pleasure in seeing this masterpiece any time it turns on cable. In fact, the film hasn't dated, the way some others of the same period have. The highlights of the film are the sequences involving the crop duster, the train ride to Chicago where Eve and Roger first meet, the auction, and the Mount Rushmore climax.

This is one of the best contributions by Cary Grant to any of his work with the director. Roger Thornhill is one of the best roles Mr. Grant played, during his long career. His chemistry with Eva Marie Saint is perfect. This young actress added class and elegance to the picture. James Mason and Martin Landau played villains convincingly. Jesse Royce Landis, Leo G. Carroll, and the rest of the supporting cast is excellent.

"North by Northwest" is one of Alfred Hitchcock's best crafted films thanks to the brilliant people that came together to work in it.

Hitchcock at his sharpest. Art and commerce in a delicious salad with all the right ingredients. A brisk screenplay by Ernest Lehman a Cary Grant that is just pure delight, Eva Marie Saint fresh out of her Oscar from "On the Waterfront" is an icy blonde with a brain. James Mason, the ultimate foreign sinister not to mention Jessie Royce Landis and Hitchcock brings Bernard Herrmann to wrap it all up in one of the most infectious scores imaginable. A real treat.