The Mating Game (1959)

An uptight IRS agent is ordered to investigate a rural family in debt to the government...but the family - including lovely daughter Mariette - help him loosen up.

Director:

George Marshall

Writers:

William Roberts (screenplay), H.E. Bates (novel)

Stars:

Debbie Reynolds, Tony Randall, Paul Douglas

3 nominations.

Cast

Complete credited cast:
Debbie Reynolds	...	Mariette Larkin
Tony Randall	...	Lorenzo Charlton
Paul Douglas	...	Pop Larkin
Fred Clark	...	Oliver Kelsey
Una Merkel	...	Ma Larkin
Philip Ober	...	Wendell Burnshaw
Philip Coolidge	...	Rev. Osgood
Charles Lane	...	Inspector General Bigelow
Trevor Bardette	...	Chief Guthrie
William Smith	...	Barney (as Bill Smith)
Addison Powell	...	David DeGroot
Rickey Murray	...	Lee Larkin
Donald Losby	...	Grant Larkin
Cheryl Bailey	...	Victoria Larkin
Caryl Bailey	...	Susan Larkin

Storyline

Tax collector Lorenzo Charlton comes to the Larkins' farm to ask why Pop Larkins hasn't paid his back taxes. Charlton has to stay for a day to try to estimate the income from the farm, but it isn't easy to calculate when the farmer has such a lovely daughter, Mariette...

---

Plot Keywords:

farm | tax collector | based on novel | 

---

Taglines:

A racy, riotous new comedy hit!

---

Genres:

Comedy | Romance

---

Certificate:

Passed

Details

Country:

USA

Language:

English

Release Date:

October 1959 (Austria)

Also Known As:

Engel unter Sündern

Filming Locations:

Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA

Box Office

Gross USA:

$5,668,000, 31 December 1959

Cumulative Worldwide Gross:

$8,556,500, 31 December 1959

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM)

Technical Specs

Runtime:

96 min

Sound Mix:

4-Track Stereo (Westrex Recording System)

Color:

Color (Metrocolor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

The movie was taken from a a book by H.E. Bates, "The Darling Buds of May". It is the first of five novels (and novellas) about "Pop Larkin". The original story is English, but the movie changed the setting to Maryland.

---

Goofs

During the opening scene and the aerial view of the Larkin Farm, Lorenzo's car is seen in the yard. Lorenzo doesn't arrive until later.

---

Quotes

Sidney 'Pop' Larkin: A gentleman always feels better after a little outing!

---

Connections

Referenced in Hollywoodland (2006)

---

Soundtracks

The Mating Game
Music by Charles Strouse
Lyrics by Lee Adams
Performed by Debbie Reynolds (uncredited)
[Title song performed during the opening titles and credits]

User Reviews

Clever Premise

Energetic romp overseen by that veteran of slapstick George Marshall. This is not his best, but he does keep things moving. Enjoyable for the most part if you can get past owlish Tony Randall as the answer to a maiden's dream (Debbie Reynold's). He certainly looks the part of an IRS collections tiger, but it's a stretch in the romance department. Lots of barnyard innuendo as earthy farmer Paul Douglas and his obstreperous family manage a living outside the money economy. He barters things in shrewd fashion, while enjoying life's simple pleasures. That is, until snobby neighbor neighbor Philip Ober sics the IRS on him in an attempt to grab his property after Douglas refuses to sell.

Really clever premise, with a provocative subtext that pits the older agrarian way of life against the modern complexities. Bureaucrat Randall must collect a lifetime of back taxes from throw-back Douglas who, of course, has never dealt in money. But Randall, all officiousness, has never encountered the likes of the artful farmer and his bursting-with-life family that keep him perpetually off-balance. At the same time, comely daughter Reynolds works her wiles in typical spirited fashion. Some funny set-ups, especially when the barnyard critters turn on the hapless bureaucrat.

However, some of the slapstick goes on too long for my liking, suggesting that Marshall is indeed past his prime. Nonetheless, Douglas is near perfect as the good-natured hick, while Reynolds manages the spunk without too much excess. Look for outlaw biker Bill Smith as a muscle-bound rowdy, and of course the great Fred Clark in one of his typical bah-humbug roles. All in all, there are some genuine guffaws, but in some ways the movie is more interesting than anything else. Come to think of it, comedy aside, the movie can be viewed as a must-include at any hippie or Libertarian film retrospective.