Australian famer Kit Kelly and his new bride Anna are driving through Europe when they help a stranded motorist. They discover he is Antonio, a famous dancer. Upon learning that Anna was a ...
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Title: Honeymoon (1959)
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1 win & 1 nomination.
See more awards »
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Cast
| Complete credited cast: | |||
| Anthony Steel | ... | Kit Kelly | |
| Ludmilla Tchérina | ... | Anna | |
| Antonio | ... | Antonio / Carmelo | |
| Léonide Massine | ... | The Spectre in 'El Amor Brujo' (as Leonide Massine) | |
 |
Rosita Segovia | ... | Rosita / Candelas |
|
|
Carmen Rojas | ... | Amalia / Lucía |
| José Nieto | ... | Juan Carmona (as Pepe Nieto) | |
|
|
Pastora Ruiz | ... | A Sorceress (ballet: El Amor Brujo) |
|
|
Juan Carmona | ... | Pepe Nieto |
| Rest of cast listed alphabetically: | |||
|
|
María Clara Alcalá | ... | Candelas [voice] (singing voice) |
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Plot Summary
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Storyline
Australian famer Kit Kelly and his new bride Anna are driving through Europe when they help a stranded motorist. They discover he is Antonio, a famous dancer. Upon learning that Anna was a ballerina before she married, Antonio attempts to persuade her to join his company. Written by Steve Crook <steve@brainstorm.co.uk>
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Trivia
Mikis Theodorakis's theme song was covered by The Beatles in 1963 as part of their "Pop Go The Beatles" series for BBC Radio, with Paul McCartney on vocals. See more »Crazy Credits
[end title cards] Adios España! Mucho Gusto! See more »Alternate Versions
105 minute restoration by Charles Doble. Fully restored all dance sequences. See more »Frequently Asked Questions
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Details
Release Date:
8 February 1962 (UK) See more »Also Known As:
Honeymoon See more »Company Credits
Production Co:
Cesáreo González Producciones Cinematográficas, Everdene, Suevia Films - Cesáreo González See more »
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If you applaud Michael Powell's tendency towards kitsch, you'll love this over- the-top, Technicolor travelogue, in which grinning Anthony Steel consistently chooses Pepsi over wine, Antonio dementedly dances down real dust-caked country roads, and in very unreal gypsy caves, and nobody really believes in the plot, except as an excuse for another ravishingly photographed Spanish location, or a garishly produced mini-ballet. Antonio's acting is of the flouncing artiste school - but it's in perfect keeping with this whole joyful, zesty farrago of colour and movement, which should be seen in its original Technirama format.