Dodger Lane (Peter Sellers) has planned the perfect robbery while in prison. He intends to break out of prison, steal a fortune in diamonds, and break back into prison before anyone notices... See full summary »
Based on the Stephen Potter "One Upmanship" and "Lifemanship" books, Henry Palfrey tries hard to impress but always loses out to the rotter Delauney. Then he discovers the Lifeman college ... See full summary »
In London, when Australian gangsters disguised as 'Bobbies' rob British criminals, the panicked British mobsters seek an alliance with the Scotland Yard in order to eliminate the foreign competition and return things to 'normal'.
Work has been going with a bang for freelance assassin Hawkins but a job in England just after the war is a different matter. His apparently easy target, a pompous government minister, is ... See full summary »
John Lewis is bored by his librarian's job and henpecked at home. Then Liz, wife of a local counciller, sets her sights on him. But this is risky stuff in a Welsh valleys town - if he and ... See full summary »
Accident-prone Fingers runs a pretty unsuccessful gang. They try and rob wealthy but tricky Billy Gordon - who distrusts banks and fears the Inland Revenue - but he sees Fingers and the ... See full summary »
Brenda de Banzie
Naive Stanley Windrush returns from the war, his mind set on a successful career in business. Much to his own dismay, he soon finds he has to start from the bottom and work his way up, and also that the management as well as the trade union use him as a tool in their fight for power.Written by
The title of the movie is "I'm All Right Jack". On the original British trailer, a comma was added to the title ("I'm All Right, Jack"). See more »
Stanley Windrush demonstrates his fork lift truck driving skills for Mr. Waters. He says:
"Well, I'm shifting these generators from the stores to here, for loading up."
He drives over a bump and the (presumed full) boxes bounce as though they were empty. See more »
Along with Alexander Mackendrick's "The Man in the White Suit," this is THE great satire of management-labor relations: less allegorical and more cheerfully crass. In a way this movie seems like a sort of crossroads in British comedy, poised between the warmer eccentricities of the Ealing films and and the screw-'em-all pop irreverence of the rising New Wave.
These days the film seems to be primarily remembered for Peter Sellers' magnificent caricature of socialist sanctimony, Fred Kite, but the whole gallery of players, many reprising roles from the earlier "Private's Progress," is excellent. Carmichael, all inane, wild-eyed grins, is Woosterish as ever as the brainless but well-intentioned Windrush. Terry-Thomas produces a very funny sketch of middle-class middle management. It's a perfect picture of lazy hypocrisy: the man who settles into a do-nothing job, knowing exactly how awful it is but not caring so long as he gets through the day. He had a face made for contempt; watching his mustache curl as he reads an entry in the workers' suggestion box ("Filthy beast," he mutters, as he tucks it away in a pocket) or as he picks his way through the rubbish of Kite's wifeless home is a joy. Price and Attenborough are, as always, first-class rotters, the iciest of the moneyed class, and Handl, Le Mesurier and Rutherford add vividly funny moments. As the war over Windrush expands from workplace to societal to domestic spheres, watching the various characters bounce and interact provides some of the movie's best-observed moments, such as the brief tea scene between Rutherford and Handl, who, though inhabiting utterly different worlds, seem to interact perfectly in mutual obliviousness.
And there is Sellers, of course, pitch-perfect whether marching around the factory like the lead float in a parade or rhapsodizing about Russia or going hilariously blank on live television. It's memorable work that might overbalance the movie's double-edged attack if it weren't human enough to be sympathetic as well.
All in all, silly, clever, raucous fun.
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