Jonathan Harker begets the ire of Count Dracula after he accepts a job at the vampire's castle under false pretenses, forcing his colleague Dr. Van Helsing to destroy the predatory villain when he targets Harker's loved ones.
Baron Frankenstein is once again working with illegal medical experiments. Together with a young doctor, Karl and his fiancée Anna, they kidnap the mentally sick Dr. Brandt, to perform the ... See full summary »
Returning to his family's manor house on the lonely moors after his father dies under mysterious circumstances, Sir Henry Baskerville is confronted with the mystery of the supernatural hound that supposedly takes revenge upon the Baskerville family. The famous detective Sherlock Holmes and his assistant Dr. Watson are brought in to investigate.Written by
Jeremy Lunt <firstname.lastname@example.org>
To this day, the movie is still released in a censored version for the British market. The scene where Sir Hugo Baskerville pushes a servant into a burning fireplace, remains trimmed of a few seconds. When the local peasant girl is caught and murdered by Sir Hugo, there were more camera shots of the character using his dagger. This scene also remains censored. See more »
The window in the Bishop's room is already cracked (presumably in order for it to smash in a certain way) before it is broken by the telescope. See more »
I can understand someone wanting to steal a pair of boots - but one? Well, there it is.
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Sherlock Holmes and Dr Watson are requested to keep an eye on Sir Henry Baskerville, who has inherited an estate out on Dartmoor. With this estate comes danger as his family is known to be threatened by a wild dog that stalks the Moor.
Holmes in colour for the first time as Hammer give it the full blown costume drama pizazz. Great production as Peter Cushing (Holmes), Andre Morell (Watson) and Christopher Lee (Baskerville) act it out with considerable aplomb. Cushing and Morell are particularly effective, Cushing's Holmes is sprightly and never staid, while Morell's Watson is resourceful and a bona fide detective sidekick to the intrepid Holmes. The supporting cast is also filled out with quality British talent, John le Mesurier, Miles Malleson and Francis de Wolfe are involving and integral to the story. Whilst it wouldn't be a Hammer film without the obligatory heaving bosom, which here comes in the form of Marla Landi.
The deviation from the source novel may offend some purists, but it works and is actually a pleasant surprise. Hammer were clearly intent on breathing a new life into Sherlock Holmes, and they did so, thus paving the way for the element of surprise. Still holding up well after all these years this is still an essential viewing in the pantheon of Sherlock Holmes adaptations. 7/10
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